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Author Topic: Mike the dominant creative force when it came to conceptual content?  (Read 84423 times)
rab2591
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« on: May 07, 2015, 04:40:46 PM »

http://www.fsunews.com/story/life/2015/05/06/beach-boys-tallahassee/70896652/

New Mike interview. Last question, he is asked "Lastly, do you have any words of wisdom for young, aspiring musicians?" and of course he has to turn it into boasting about his own supposed accomplishments. I totally understand that Mike was gifted lyrically, but conceptually? Surfing was Dennis's idea, Pet Sounds, Smile, Wild Honey, Friends were definitely Brian. Is there any evidence that Mike was a dominant creative force when it came to conceptual ideas about the music?
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« Reply #1 on: May 07, 2015, 04:42:32 PM »

I'd say after Love You he was pretty much the top dog as far as the band's creative direction in the studio was concerned.
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« Reply #2 on: May 07, 2015, 04:59:23 PM »

And that's when the quality went to hell. Evil
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« Reply #3 on: May 07, 2015, 04:59:50 PM »

I didn't read anything there that was braggadocious. Nothing even considered cocky. Pretty tame in my estimation, and true.
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« Reply #4 on: May 07, 2015, 05:07:53 PM »

As far as his collaborations with Brian, Michael's not saying anything out of the ordinary. Brian was melancholy. Michael was Mr. Positivity. It's not like he was sitting on an uncomfortable seat or anything.
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rab2591
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« Reply #5 on: May 07, 2015, 05:18:25 PM »

Just odd that he thinks conceptually he was the dominant force in that relationship, considering that Dennis came up with the surfing idea, not sure who thought of the car idea - but I was under the impression it was more of a Gary Usher influence. The more sentimental output from Mike and Brian was obviously more of a Brian idea (Today! album). I'm not at all disputing his outstanding lyrical contribution, but from my point of view, conceptually Mike wasn't at all the dominant force.
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« Reply #6 on: May 07, 2015, 05:20:41 PM »

We weren't there. I'll take Michael or Brian at their words.
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« Reply #7 on: May 07, 2015, 05:22:05 PM »

You don't think Mike came up with concept of the lyrics he wrote?
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« Reply #8 on: May 07, 2015, 05:22:52 PM »

LMAO
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« Reply #9 on: May 07, 2015, 05:23:47 PM »

I didn't read anything there that was braggadocious. Nothing even considered cocky. Pretty tame in my estimation, and true.
Agreed.  

Consistent with being a lyricist.  

Melody - Brian

Lyrics - Mike

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« Reply #10 on: May 07, 2015, 05:24:12 PM »

Just odd that he thinks conceptually he was the dominant force in that relationship, considering that Dennis came up with the surfing idea, not sure who thought of the car idea - but I was under the impression it was more of a Gary Usher influence. The more sentimental output from Mike and Brian was obviously more of a Brian idea (Today! album). I'm not at all disputing his outstanding lyrical contribution, but from my point of view, conceptually Mike wasn't at all the dominant force.
Did I miss something in that article? Where did he say he was the dominant force? He called Brian a great arranger and composer, and only that he was a better lyricist than Brian. Even Brian would likely agree with that.
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Thou Art In Hawthorne,
Harmonied Be Thy name
Your Kingdom Come,
Your Steak Well Done,
On Stage As It Is In Studio,
Give Us This Day, Our Shortenin' Bread
And Forgive Us Our Bootlegs,
As We Also Have Forgiven Our Wife And Managers,
And Lead Us Not Into Kokomo,
But Deliver Us From Mike Love.
Amen.  ---hypehat
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« Reply #11 on: May 07, 2015, 05:31:15 PM »

You don't think Mike came up with concept of the lyrics he wrote?

I'm saying others came up with the concepts of surfing, the love songs. He wrote brilliant lyrics for the concepts. At a certain level I'm sure he was very conceptually involved, but dominant creative force in that arena? I doubt it.
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rab2591
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« Reply #12 on: May 07, 2015, 05:31:40 PM »

Just odd that he thinks conceptually he was the dominant force in that relationship, considering that Dennis came up with the surfing idea, not sure who thought of the car idea - but I was under the impression it was more of a Gary Usher influence. The more sentimental output from Mike and Brian was obviously more of a Brian idea (Today! album). I'm not at all disputing his outstanding lyrical contribution, but from my point of view, conceptually Mike wasn't at all the dominant force.
Did I miss something in that article? Where did he say he was the dominant force? He called Brian a great arranger and composer, and only that he was a better lyricist than Brian. Even Brian would likely agree with that.

"He was a gifted arranger and composer of music, but lyrically and conceptually, I was always the dominant creative force in that relationship."

I totally agree that Mike is one of the most talented lyricists, no arguments there. In regards to conceptual content I have to disagree.
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"ragegasm" - /rāj • ga-zəm/ : a logical mental response produced when your favorite band becomes remotely associated with the bro-country genre.

Ever want to hear some Beach Boys songs mashed up together like The Beatles' 'LOVE' album? Check out my mix!
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« Reply #13 on: May 07, 2015, 05:33:36 PM »

He also said conceptually, as well.

Edit

Rab got it
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« Reply #14 on: May 07, 2015, 05:36:06 PM »

Mike is just too hungry to claim credit where it is not due. He should be proud of what he did in reality and not brag about being BW's equal. Nobody is.
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« Reply #15 on: May 07, 2015, 05:37:37 PM »

You don't think Mike came up with concept of the lyrics he wrote?

I'm saying others came up with the concepts of surfing, the love songs. He wrote brilliant lyrics for the concepts. At a certain level I'm sure he was very conceptually involved, but dominant creative force in that arena? I doubt it.

What others (besides Dennis one time) came up with the lyric concepts in his collaborations with Brian?
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Douchepool
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« Reply #16 on: May 07, 2015, 05:38:05 PM »

I don't think Michael has ever argued that he is Brian's equal. Brian's biggest fan is Michael.
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« Reply #17 on: May 07, 2015, 05:40:13 PM »

Just odd that he thinks conceptually he was the dominant force in that relationship, considering that Dennis came up with the surfing idea, not sure who thought of the car idea - but I was under the impression it was more of a Gary Usher influence. The more sentimental output from Mike and Brian was obviously more of a Brian idea (Today! album). I'm not at all disputing his outstanding lyrical contribution, but from my point of view, conceptually Mike wasn't at all the dominant force.
Did I miss something in that article? Where did he say he was the dominant force? He called Brian a great arranger and composer, and only that he was a better lyricist than Brian. Even Brian would likely agree with that.

"He was a gifted arranger and composer of music, but lyrically and conceptually, I was always the dominant creative force in that relationship."

I totally agree that Mike is one of the most talented lyricists, no arguments there. In regards to conceptual content I have to disagree.
Brian always says that he composes first, lyrics later. If Mike has full control over the lyric, then he has conceptual control. He is deciding what the song will be about. I think that is all he means.
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Oh Brian
Thou Art In Hawthorne,
Harmonied Be Thy name
Your Kingdom Come,
Your Steak Well Done,
On Stage As It Is In Studio,
Give Us This Day, Our Shortenin' Bread
And Forgive Us Our Bootlegs,
As We Also Have Forgiven Our Wife And Managers,
And Lead Us Not Into Kokomo,
But Deliver Us From Mike Love.
Amen.  ---hypehat
rab2591
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« Reply #18 on: May 07, 2015, 05:41:41 PM »

You don't think Mike came up with concept of the lyrics he wrote?

I'm saying others came up with the concepts of surfing, the love songs. He wrote brilliant lyrics for the concepts. At a certain level I'm sure he was very conceptually involved, but dominant creative force in that arena? I doubt it.

What others (besides Dennis one time) came up with the lyric concepts in his collaborations with Brian?

Brian himself, for one.
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« Reply #19 on: May 07, 2015, 05:45:24 PM »

Quote
Find someone with which to collaborate, someone whose strengths complement your strengths. That's the thing I did with my cousin Brian. He was a gifted arranger and composer of music, but lyrically and conceptually, I was always the dominant creative force in that relationship.

Put less pretentiously:

"When we worked together, I wrote most of the lyrics". True. 

"I also had most of the ideas about subject matter". Questionable.

The other problem here is the implication that Mike had an artistic vision, which he was able to express when he "found" his cousin:

"You too can be a successful songwriter if you do what I did. If you don't have an amazingly talented cousin who wants to start a band and write songs with you, find someone like that."

It's like Steve Martin's old joke: You can be a millionaire and never pay taxes! How is that possible? First, get a million dollars. Second, ....
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« Reply #20 on: May 07, 2015, 05:46:12 PM »

What's pretentious about those remarks?
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« Reply #21 on: May 07, 2015, 06:26:06 PM »

Mike being a dominant force in his relationship with Brian seems accurate enough.
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« Reply #22 on: May 07, 2015, 06:27:33 PM »

It's an incredibly outrageous statement.

Mike has nearly finished rewriting the band's history in his image. It's not enough that he gets to be the lyricist to some of Brian's most successful songs, and the band's onstage front man. He has to now believe he was the band's dominant creative force.

That will be the mission statement of the book, mark my words. It's nuts.
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« Reply #23 on: May 07, 2015, 06:33:28 PM »

@Wirestone, spot on.
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« Reply #24 on: May 07, 2015, 06:39:18 PM »

It's an incredibly outrageous statement.

Mike has nearly finished rewriting the band's history in his image. It's not enough that he gets to be the lyricist to some of Brian's most successful songs, and the band's onstage front man. He has to now believe he was the band's dominant creative force.

That will be the mission statement of the book, mark my words. It's nuts.

The compliment of Brian had to be followed by a "but". But of course.
And since when should the term "always" be used like it was in that article? Often at best.
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