It should at least be top 40. Take away all its history and myth, the disc BW put out in 2004 is a great listen, an inventive album even by today's standards. I would say it is at least better than:
8 | Bob Dylan: Modern Times (IMO just a rehash of the few albums before, lots of old man blues, everyone just got excited because he said Alicia Keys' name)
12 | LCD Soundsystem: Sound of Silver (IMO way over rated. This guy makes ok music but the critics think it is much better than it really is, no staying power)
15 | Bruce Springsteen: The Rising (IMO a decent record, but he has made better. Not nearly as cool as BWPS)
18 | MGMT: Oracular Spectacular (these guys just have that one song that has been played to death, no way it could be 18)
22 | Green Day: American Idiot (IMO they really stretched to try to be "profound" and have a big message, but I found it boring as hell, shouldn't be on the list at all, and tell that guy to stop singing in that fake british accent already)
36 | U2: No Line on the Horizon (IMO just came out, no way to tell its impact, I am a big U2 fan and I get board with it, they are just going through the motions)
38 | Ryan Adams: Heartbreaker (IMO this guy's album Gold was pretty good, but this album was way over rated)
39 | Kings of Leon: Aha Shake Heartbreak (the public needs a southern-rock rock band and Leon fits the bill, but I'd rather just listen to lynard skynard or CCR and get a dose of the real stuff)
41 | Arctic Monkeys: Whatever People Say I Am, That's What I'm Not (IMO way over hyped, some decent songs but pretty much the same old punk pop thing with maybe a few smarter lines thrown in there)
42 | Elliott Smith: Figure 8 (IMO not his best record, and he made some really great records)
43 | The Killers: Hot Fuss ((IMO a couple good singles and a bunch of glam rock back wash, if I need this stuff I will go listen to classic Bowie)
44 | System of a Down: Toxicity (give me a f*cking break!)
47 | Fleet Foxes: Fleet Foxes (IMO they make a decent mood, but that's all it is, no girth in the song writing department, 60-ish sounding muzak for hipster cubical workers)
53 | Kings of Leon: Only By the Night (see comment on other Leon record above, the Blues Travelers, only young and cute)
56 | Vampire Weekend: Vampire Weekend (IMO an interesting record, but there is something strange about these NYC boys trying to make West African music. I have the same problem with the Dirty Projectors, who don't claim the influence so much, but are still sounding like the same thing. In general these new Williamsburg bands never COMMIT to anything other than a mood, and they make a great mood, but the songwriting itself is weak)
59 | Interpol: Turn on the Bright Lights (IMO a Joy Division rehash, I hear these guys and I want to go listen to a Joy Division record. They are an early 80's revival band like a modern Dixieland jazz band is a revival band, just different eras being revived. They are good at what they do, but this album ain't nearly as well realized as BWPS)
60 | Phoenix: Wolfgang Amadeus Phoenix (IMO an interesting group but they just arrived and haven't proved a thing other than the potential for something great down the line)
63 | Kanye West: 808s and Heartbreak (IMO this is the weakest of West's records so far, it is the one where he became a parody of his former self)
68 | U2: How to Dismantle an Atomic Bomb (IMO another lack luster U2 record, with the standard quota of big arena ready rockers and some power ballads. Don't get me wrong, achtung baby and joshua tree are two of my all time favorites, but this album ain't one of those)
70 | Sleater-Kinney: The Woods (IMP their first few records were fun and then they just did the same thing record after record, and this one is their most boring)
71 | Bright Eyes: Lifted or the Story is in the Soil, Keep Your Eart to the Ground (IMP Conor Oberst is a good songwriter, but he thinks he is an even better songwriter than he is, and though I own some of his records and like them, this one ain't his best and not nearly the piece of art that BWPS is)
74 | Red Hot Chili Peppers: Stadium Arcadium (IMO they haven't made a great record since Blood Sugar Sex Magic, they have graduated to their later bland commercial stage in which they work the word "California" into at least one chorus per album)
76 | Sigur Rós: () (IMO their first record was pretty spacey and trippy, but this starts to sound like the sound track to a spooky disney movie, and when I found out the guy wasn't singing in Icelandic, but his own made up non-sense language, it turned me off big time)
79 | The New Pornographers: Electric Version (IMO they are at their best with Nico Case singing, she has an amazing voice, and in general this record is decent, just not as good as BWPS)
80 | Kings of Leon: Youth and Young Manhood (IMO God D*mn it! These guys again. It takes more than good hair and nice guitars to make the kind of music they are peddling)
82 | Queens of the Stone Age: Rated R (I am burned out on this kind of grunge/metal stuff in general, and these guys have made the same record over and over, with or without a famous sometimes drummer showing up)
83 | The Black Keys: Attack & Release (IMO I don't need to here any more white boys playing 40s, 50s, or 60s era blues rock, I will turn to the masters if I need a dose of it.)