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Author Topic: Ten Years Of Harmony - Please help!  (Read 17956 times)
petsite
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« on: January 02, 2009, 11:39:13 AM »

In the old Add Some Music fanzine, Brad Elliott wrote a  piece about how the LP came together (the fact that Carl had to do it, the other guys were dragging there heels etc.). I have seen quotes but could someone please post the story if they have it. I never was able to get a copy of the magazine.

Thanks!

Bob
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« Reply #1 on: January 06, 2009, 08:35:57 AM »

I'd be happy to post this, but I;m out of town and away from my ASM collection until the weekend.  If I forget, please remind me!  It's an interesting story.
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« Reply #2 on: January 06, 2009, 06:52:17 PM »

Thanks c-man!
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« Reply #3 on: January 06, 2009, 06:56:49 PM »

This is just an anal question on my part.  Is the master for TYOH in the BB tape library? Just wondering.

Bob
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« Reply #4 on: January 06, 2009, 07:42:58 PM »

What I remember about Ten Years Of Harmony, is that, on the original vinyl edition, they used some cool mixes, mostly single mixes, but they sounded superior to the album versions, IMO....
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« Reply #5 on: January 07, 2009, 02:25:52 AM »

It has the single mix of the 'California' single, with added Brian.

I'm not sure about the others, i'll have a listen when i get it back from my parents'.
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« Reply #6 on: January 07, 2009, 03:37:18 AM »

I've heard the single mix of California, which I prefer over the Holland version despite its excessive arrangement. The added Brian moments really do it for me (just for his sweet voice's sake) and the whole thing reminds me a lot of Cotton Fields, which of course is another favorite when it comes to single mixes.

Never heard the single version of Rock'n'Roll Music though. Is it much different from the album mix?
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« Reply #7 on: January 07, 2009, 04:26:38 AM »

Rock and Roll has less background vocals the first few verses. It's Ok is mastered fastered. Cool, Cool, Water has the first section excised.
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« Reply #8 on: January 07, 2009, 03:41:28 PM »

If I wanted to hear San Miguel, I would need to get this album out. I don't know where else it is available.
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« Reply #9 on: January 07, 2009, 05:42:51 PM »

If I wanted to hear San Miguel, I would need to get this album out. I don't know where else it is available.

It's on the Good Vibrations box set which you can get on CD or as an MP3 off a place like Itunes.
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« Reply #10 on: January 07, 2009, 07:08:39 PM »

In the old Add Some Music fanzine, Brad Elliott wrote a  piece about how the LP came together (the fact that Carl had to do it, the other guys were dragging there heels etc.). I have seen quotes but could someone please post the story if they have it. I never was able to get a copy of the magazine.

Thanks!

Bob

Here is the article in question, Bob. Makes for interesting reading!



Sifting Sands: Ten Years Of Harmony

Brad Elliott

For most Beach Boys fans the recent CBS compilation, Ten Years Of Harmony, was a welcome addition to their collection. The handsomely packaged set included not only several single mixes and edits previously unavailable in album format, but also a previously unreleased single mix ("School Days"), and two tracks which had never seen the light of day in any form ("San Miguel" and "Sea Cruise").

The assembling of Ten Years Of Harmony however, proved to be no easy task. CBS executives spent more than a year working to release the package.  In the course of that year the album underwent several major revisions and countless minor changes.  To some of those involved, the final package was a severe disappointment.

The idea of a compilation album was first proposed in the fall of 1980.  As originally planned, Ten Years’ Harmony, an original title, would have been only one disc.  The target release date was January, 1981.  Early on, CBS pegged "Come Go With Me" as the album's first single.  Also scheduled for inclusion were "San Miguel", the vetoed mix of "School Days" and, at Bruce Johnston's insistence, "The Lord's Prayer". ("That's gonna go in the compilation album",  Bruce said last February.  "We're gonna lease that from Capitol. Lease it back and put it on, because it's never been on an album").

Before a track lineup could be formed, however, the album's release was postponed to May and then to September.

Among the group members, Bruce at least was thinking about the track lineup.  "The compilation album, if we get it out, will be, on the fan level, the best album they've ever had.  Because it's gonna cover all the period from, say, ‘68, ‘69 on.  It's gonna get the best of everything, like "Til I Die," "Disney Girls," "Sail On Sailor," "San Miguel".

Bruce’s most ambitious thoughts concerned the Smile tapes.  "We're gonna collage the Smile album in this compilation.  We're gonna go through the Smile album and just take little, sections of the tunes we have and put it out as a kind of sampler of the Smile album.  We're just going to skim the Smile tapes and make a beautiful six minute collage".  He was quick to add, "Brian doesn't know this".

CBS kept the compilation album on its list of projected September releases, and in July received from Caribou records a master for the record:

Side One: "The Trader", "Deidre", "Long Promised Road", "The Night Was So Young", "Sail On Sailor", "Come Go With Me".

Side Two: "Marcella", "Surf's Up", "Cool Cool Water", "Don't Go Near The Water", "Talk To Me", "Til I Die".

CBS executives were dumbfounded.  This was not the record they had expected.

Within a few short weeks, CBS' questions were answered. A CBS promotion man mentioned the tape to Bruce Johnston, who expressed complete surprise at the existence of a track lineup.  The Beach Boys, Bruce insisted, had made no such thing. It quickly became evident that Caribou president James William Guercio had thrown the tape together, reportedly because the Beach Boys had seemed in no hurry to assemble a lineup.

In a subsequent conference telephone call, Bruce, Mike Love, Alan Jardine, and CBS’ two in-house Beach Boy fans brainstormed a rough lineup for a two-record set.  Agreed upon were:

"Add Some Music", "Roller Skating Child", "Disney Girls", "It's A Beautiful Day", "California Saga: California", "Marcella", "Rock And Roll Music", "Goin' On", "It's OK", "Cool Cool Water", "San Miguel", "Good Timin’", "Sail On Sailor", either "Wouldn't It Be Nice"(live) or "Darlin’" (live), "Lady Lynda", "The Trader", "Come Go With Me", "Deidre", "Mona", "Don't Go Near The Water", "Surf's Up", "She's Got Rhythm", "Honkin’ Down The Highway", "’Til I Die", "Long Promised Road", and either "River Song", or "You And I" (both from Dennis' Pacific Ocean Blue).

Suggested by the CBS executives, but vetoed by the three Beach Boys, were the studio version of "We Got Love", "Child Of Winter", and the unreleased single mix of "School Days".

However, the Beach Boys suggested several ‘bonus’ tracks which they would be interested in including.  If the tapes could be found, they suggested including a song from the encore (with Elton John) of the group's June 3, 1972 London concert, and "Jumpin’ Jack Flash" from the Washington, D.C. show of the 1975 Beachago tour.  There was also talk of the group making a quick trip into the studio to cut "Back In The USSR".

By late September the contents were firming up.  The tentative lineup at that time was:

Side One: "Add Some Music To Your Day", "Roller Skating Child", "Disney Girls", "It's A Beautiful Day", "California Saga: California" (preferably the single version, if the master tape could be found), "Marcella".

Side Two: "Rock And Roll Music", "Goin’ On", "It's OK", "Cool Cool Water" (the single edit, hopefully), "San Miguel", "Good Timin’", "Sail On Sailor".

Side Three: "Darlin’" (live), "Lady Lynda", "Sea Cruise", "The Trader", "Mona", "Don't Go Near The Water" (or possibly "Feel Flows"), "Surf's Up".

Side Four: "Come Go With Me", "Deidre" (or maybe "This Whole World"), "She's Got Rhythm", "River Song", "Long Promised Road", "Honkin’ Down The Highway", "Til I Die".

As the cover art was worked up and liner notes drafted, David Leaf, author of The Beach Boys And The California Myth was asked for his advice.  He submitted another track proposal:

Side One: "Surf's Up", "Cool Cool Water" (45 edit), "This Whole World", "Add Some Music To Your Day", "Disney Girls", "Feel Flows", "’Til I Die".

Side Two: "Long Promised Road", "San Miguel", "Marcella", "Sail On Sailor", "The Trader", "California Saga: California" -(45 mix).

Side Three: "Good Timin’", "Goin’ On", "Sweet Sunday Kind Of Love", "Matchpoint Of Our Love", "The Night Was So Young", "Baby Blue", "Lady Lynda".

Side Four: "Come Go With Me", "It's OK", "Rock And Roll Music", "It's A Beautiful Day", "Sea Cruise", "She's Got Rhythm", "Roller Skating Child".

Although Leaf's grouping of tracks somewhat chronologically and by tempo was not adopted, his efforts were directly responsible for the inclusion, on the next CBS lineup, of "This Whole World" and "Feel Flows" instead of "Mona" and "Honkin' Down The Highway".  Also added, at the insistence of CBS, was the single mix of "School Days".

Approximately a month before the album's release, Carl Wilson went into the group's tape library to find the master tapes for the twenty eight songs.  Luck was with him and all the masters were located, including those for the "California Saga" and "Cool Cool Water" singles.  Also, it was at that time that the compilation's last track, "Wontcha Come Out Tonight" was added, bringing the number of included songs to twenty nine, and finalizing the track lineup.

One last problem remained: the inner gatefold.  The photo of the group, taken backstage at the 1977 Central Park concert, already had been selected.  At issue was a proposal to “doctor” Bruce into it.  Carl put his foot down. Bruce was not a Beach Boy on a par with the others, and should not be included in the main photo.  If Bruce wanted his photo on the album, Carl stated, he could have a small 'mug' shot. Bruce decided that if he wasn't wanted in the main photo, he didn't want to be pictured on the album.  He is not.

Carl also insisted that individual production credits be given, prompting a few minor squabbles in places (most notably whether Brian would be credited for tracks from the MIU album: he is on only "Wontcha Come Out Tonight," which he wrote and sang.  At about the same time, the planned liner notes were shelved and replaced by the song lyrics.  That decision was probably CBS’.  The record was due for release immediately, and another squabble, which the liner notes likely would have generated, might have caused further delay.

Despite the many problems in assembling and releasing Ten Years Of Harmony, CBS is pleased with the package, and already is considering a one-record Ten Years Of Harmony, Vol. 2. for release next fall.

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« Reply #11 on: January 07, 2009, 07:29:55 PM »

Thanks, now I won't have to post it this weekend! 

One thing wrong in the article, though, is that the inner gatefold photo is from the group's New Year's Eve 1976 show at the L.A. Forum (IIRC), not their September '77 Central Park show. 
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« Reply #12 on: January 07, 2009, 07:52:39 PM »

You guys are more than awesome....THANKS ALOT!
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« Reply #13 on: January 07, 2009, 08:54:59 PM »

Thanks, now I won't have to post it this weekend! 

One thing wrong in the article, though, is that the inner gatefold photo is from the group's New Year's Eve 1976 show at the L.A. Forum (IIRC), not their September '77 Central Park show. 

No worries! Thanks for the correction as I simply used  Optical Character Recognition to copy the article.

By the way, I really enjoy reading your essays and look forward to future instalments.
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« Reply #14 on: January 07, 2009, 08:56:28 PM »

You guys are more than awesome....THANKS ALOT!

You're very welcome.
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« Reply #15 on: January 07, 2009, 10:50:59 PM »

Wait, so he didn't get credit on "Matchpoint of Our Love"? Or did I read it wrong...
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« Reply #16 on: January 07, 2009, 11:40:10 PM »

Thanks for sharing!

Quite intriguing how Bruce got marginalized within the group when he had just produced two (admittedly unsuccessfull) records for the Beach Boys. I remember a 1980 video on YouTube where BJ said something to the effect that he didn't want to add his own material to another BB record since it didn't fit their style.

Ah, here it is: http://www.youtube.com/watch?v=rvjL2jYXZ8A
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The Heartical Don
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« Reply #17 on: January 08, 2009, 05:12:38 AM »

I have the 2-CD set. Does that count? Is it collectible?
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« Reply #18 on: January 08, 2009, 05:57:40 AM »

I think the 2CD release uses all the usual/album mixes. No fun.

Though if you want 'Sea Cruise', itīs there or nowhere.
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« Reply #19 on: January 08, 2009, 06:48:22 AM »

I think the 2CD release uses all the usual/album mixes. No fun.

Though if you want 'Sea Cruise', itīs there or nowhere.

I could be mistaken, but I'm pretty sure the US- and European 2CD-releases differ. On one of them a few wrong mixes (compared to the 2LP) were included.
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Check out the Beach Boys Starline website, the place for pictures of many countries Beach Boys releases on 45.

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« Reply #20 on: January 08, 2009, 07:23:19 AM »

I think the 2CD release uses all the usual/album mixes. No fun.

Though if you want 'Sea Cruise', itīs there or nowhere.

I could be mistaken, but I'm pretty sure the US- and European 2CD-releases differ. On one of them a few wrong mixes (compared to the 2LP) were included.

Interesting. I must listen again; haven't done so in a long time. I seem to recall that I found the mixes so-so, as if they were from LP so to speak. But perhaps the LP masters were used, and my CDs really have something interesting to offer. As soon as I've done so I'll let you know.
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« Reply #21 on: January 08, 2009, 07:33:26 AM »

http://smileysmile.net/board/index.php/topic,3212.0.html

and

http://smileysmile.net/board/index.php/topic,4.0.html
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Rule of thumb, think BEFORE you post. And THINK how it may affect someone else's feelings.

Check out the Beach Boys Starline website, the place for pictures of many countries Beach Boys releases on 45.

Listening to you I get the music; Gazing at you I get the heat; Following you I climb the mountain; I get excitement at your feet
Right behind you I see the millions; On you I see the glory; From you I get opinions; From you I get the story
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« Reply #22 on: January 08, 2009, 10:49:26 AM »

Pretty shabby way to treat Bruce.  I mean, they really couldn't have taken another photo.  Really bizarre considering he seems to have been in on thinking about the track selection.
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« Reply #23 on: January 08, 2009, 12:31:16 PM »

I agree, Ed.

The only thing I can suppose if that Bruce was being seen more of the Mike 'n Alan team, and Carl might not have wanted having another Beach Boy in the hat that could mess up his own interests. I feel like Carl had more input in the L.A. album and Keepin' The Summer Alive than he had in other releases from the period. What do you think?
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« Reply #24 on: January 08, 2009, 03:42:42 PM »

At issue was a proposal to “doctor” Bruce into it.  Carl put his foot down. Bruce was not a Beach Boy on a par with the others, and should not be included in the main photo.  If Bruce wanted his photo on the album, Carl stated, he could have a small 'mug' shot.

Carl also insisted that individual production credits be given, prompting a few minor squabbles in places (most notably whether Brian would be credited for tracks from the MIU album: he is on only "Wontcha Come Out Tonight," which he wrote and sang. 

Was Carl Wilson in the group at the time he was making these decisions?
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