gfxgfx
 
Welcome, Guest. Please login or register.

Login with username, password and session length
logo
 
gfx gfx
gfx
680750 Posts in 27614 Topics by 4068 Members - Latest Member: Dae Lims April 19, 2024, 02:54:41 PM
*
gfx*HomeHelpSearchCalendarLoginRegistergfx
gfxgfx
0 Members and 1 Guest are viewing this topic.       « previous next »
Pages: 1 2 3 4 [5] Go Down Print
Author Topic: Was Dennis a good drummer?  (Read 21800 times)
Beach Boy
Smiley Smile Associate
*
Online Online

Gender: Male
Posts: 551


I've got tears in the morning


View Profile
« Reply #100 on: February 25, 2011, 06:25:42 AM »

I think the mentioned Long Beach and Hawaii performances in the early eighties really rule.

You serious?? One of the worst Beach Boys concerts I ever saw. No Carl, wasted Dennis, Brian's vocals sucked, Adrian Baker's falsettos sucked even worse. We talking about the same concert? Queen Mary, Long Beach, July 5, 1981?

Of course I meant Dennis' performance at Long Beach. And to be honest I prefer the 1981 tour over any other gig the Beach Boys played from 1994 onwards. Even Long Beach has it's moments. Adrian Baker sucks, yeah but his guitar rocks in Surfin' and I love the first half of the show. The Washington DC concert one day before was even better. They weren't that sloppy and the mix was much better. When I listen to the Queen Mary one all I hear is Al on the background vocals and harmonies. To see Brian sing instead of just sitting behind the piano is as enjoyable as to see Dennis rockin' on his drum set.   Cool Guy  They played oldies, but many for the first time in years, so they sounded fresh and they still focused more on the raw guitar sound.  I really think the bass sound and Al's mike ruined the broadcast.
Logged

Late at night
When the whole world's sleeping
I dream of you
Close to you I feel your sweet heart beating
I dream of you
hypehat
Smiley Smile Associate
*
Offline Offline

Posts: 6311



View Profile
« Reply #101 on: February 25, 2011, 07:00:03 AM »

When Ive gone to see a band play live I want to hear the song as it was recorded that is the drummer plays consistently in his tempo.

BK

How depressing. Your subsequent posts make more sense, as you are obvs a dedicated drummer, but that statement is just miserable. I mean, do you get angry when bands play acoustic sets, or sets with orchestras? Do Brian's/Mike's band piss you off because they aren't their 22 year old selves anymore? Has Bob Dylan been a constant source of irritation to you since 1966?
Logged

All roads lead to Kokomo. Exhaustive research in time travel has conclusively proven that there is no alternate universe WITHOUT Kokomo. It would've happened regardless.
What is this "life" thing you speak of ?

Quote from: Al Jardine
Syncopate it? In front of all these people?!
guitarfool2002
Global Moderator
*****
Offline Offline

Posts: 10002


"Barba non facit aliam historici"


View Profile WWW
« Reply #102 on: February 25, 2011, 09:07:32 AM »

Jon Stebbins' list of Dennis' studio drumming credits is hard to argue, I'd bet a good number of die-hard music fans assumed it was Hal Blaine or Earl Palmer on any number of those tracks which were actually Dennis. That is quite an impressive roll call of classic drum grooves, and probably one of the reasons out of many Hal Blaine has said Dennis was a good drummer. I think Hal of anyone out there would recognize how important that chemistry is when creating a band groove, and how a drummer has to be the right "fit" in that groove in order to make a classic record.

On the flip side, the great Al Jackson Jr. was adamant about keeping solid time, and would even jump all over a rock-solid player like Duck Dunn about staying in the groove. That is the difference between a nuanced, highly-skilled player like Jackson and a self-taught player like Dennis or even Micky Dolenz whose drumming I really, really enjoy. They both have their place in their respective situations and do their job well but as musicians they are far apart in skill levels.

Off topic, it still amazes me how Al Jackson Jr. was able to create that behind-the-beat groove on "In The Midnight Hour", and not only create it but also make a pocket wide enough for the MG's to fit into it and keep it so lazy yet in time...in the LA studio scene at that same time perhaps the only drummer who could cop that groove with authority would have been Earl Palmer.
Logged

"All of us have the privilege of making music that helps and heals - to make music that makes people happier, stronger, and kinder. Don't forget: Music is God's voice." - Brian Wilson
Jon Stebbins
Honored Guest
******
Offline Offline

Gender: Male
Posts: 2635


View Profile
« Reply #103 on: February 25, 2011, 09:41:06 AM »

Jon Stebbins' list of Dennis' studio drumming credits is hard to argue, I'd bet a good number of die-hard music fans assumed it was Hal Blaine or Earl Palmer on any number of those tracks which were actually Dennis. That is quite an impressive roll call of classic drum grooves...
It is hard to change perceptions when for so long we've been told that Dennis was "replaced" by Hal after the first couple of BB's records. Its definitely not the case. Hal played on a lot of great stuff, Kiss Me Baby, Do You Wanna Dance, California Girls, Help Me Rhonda, Wouldn't It be Nice, Good Vibrations, etc... His list of BB's credits is just as impressive if not more so, but Dennis should get credit for the things he played on, which are many, and are some of the biggest hits and best album tracks. Sometimes it was the best of both worlds where you had both guys on the session, "Fun, Fun, Fun" they both contribute to the drum track, on "I Get Around" Dennis plays the drums and Hal plays the timbales, same set up on "Hawaii", On "Dance Dance Dance" Dennis plays the drums and Hal plays all that great percussion around him, on "Don't Back Down" they both contribute drum parts. So it wasn't always an either/or situation. BTW...I need to give a shout out to Craig Slowinski (C-Man) as he's unearthed so much of the session info that has helped bring more truth and less myth to the whole question of who played what on which track. If anyone has not seen Craig's great website, go here... http://beachboysarchives.com/
Logged
Pinder's Gone To Kokomo And Back Again
Smiley Smile Associate
*
Offline Offline

Posts: 3744



View Profile
« Reply #104 on: February 25, 2011, 12:58:00 PM »

When Ive gone to see a band play live I want to hear the song as it was recorded that is the drummer plays consistently in his tempo.

BK

How depressing. Your subsequent posts make more sense, as you are obvs a dedicated drummer, but that statement is just miserable. I mean, do you get angry when bands play acoustic sets, or sets with orchestras? Do Brian's/Mike's band piss you off because they aren't their 22 year old selves anymore? Has Bob Dylan been a constant source of irritation to you since 1966?

I suggest anyone worried about perfect meter and the possibility of less than perfect meter ruining their musical enjoyment: get a metronome, pile up a bunch of your favorite songs and try and set the metronome, best as you can to the song's beat when it comes in..... You'll be amazed at what happens. Most songs go all over the place or at least speed up quickly.... Bonham is probably the worst "offender" .....  LOL

Logged
Joshilyn Hoisington
Honored Guest
******
Online Online

Gender: Female
Posts: 3308


Aeijtzsche


View Profile
« Reply #105 on: February 25, 2011, 07:50:45 PM »

If I could visit one Beach Boys session, it would hands down be Dance, Dance, Dance.  Not because it's my favorite, but because it's the ultimate integration of the Beach Boys and the session guys, I think.  If any photos surface from an actual mid-sixties tracking session ever turn up, I hope it's from this.  You've got Dennis and Hal, Brian and Ray, Carl and Al, and a little Glen Campbell thrown in for good measure.  Such a neat lineup.
Logged
Mikie
Smiley Smile Associate
*
Offline Offline

Gender: Male
Posts: 5887



View Profile
« Reply #106 on: February 25, 2011, 08:00:56 PM »

I would love to have been at the vocal session for "Dance, Dance, Dance"!   Grin
Logged

I, I love the colorful clothes she wears, and she's already working on my brain. I only looked in her eyes, but I picked up something I just can't explain. I, I bet I know what she’s like, and I can feel how right she’d be for me. It’s weird how she comes in so strong, and I wonder what she’s picking up from me. I hope it’s good, good, good, good vibrations, yeah!!
gfx
Pages: 1 2 3 4 [5] Go Up Print 
gfx
Jump to:  
gfx
Powered by SMF 1.1.21 | SMF © 2015, Simple Machines Page created in 0.202 seconds with 21 queries.
Helios Multi design by Bloc
gfx
Powered by MySQL Powered by PHP Valid XHTML 1.0! Valid CSS!