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Author Topic: Track Talk #2: Country Air  (Read 8874 times)
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« on: August 23, 2012, 09:25:25 AM »

'Country Air' for next song to discuss? Anyone?
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« Reply #1 on: August 23, 2012, 09:33:27 AM »

Some of the most beautiful humming and whistling ever put on tape
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« Reply #2 on: August 23, 2012, 09:36:57 AM »

There was a guy named "Bellagio Insider" on the old Smile Shop board who claimed that the original "Air" segment was a piano variation on a section or two of "Country Air," and that he was there when Brian was conceiving the Elements. Of course, he was later revealed as a fraud, but that idea always sounded plausible to me.
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« Reply #3 on: August 23, 2012, 11:04:39 AM »

Love this song. Love the live version from the early 70s.
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« Reply #4 on: August 23, 2012, 12:14:09 PM »

Like everything else on Wild Honey, it's bitchin'. I love the buzzing bee organ, bleeding through tracks and Brian's high "sleeeeep" vocals over the crowing rooster. Groovy.
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« Reply #5 on: August 23, 2012, 12:57:45 PM »

One of the songs that really brought the group's music home to me, in the summer of 1989.
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« Reply #6 on: August 23, 2012, 01:21:44 PM »

There was a guy named "Bellagio Insider" on the old Smile Shop board who claimed that the original "Air" segment was a piano variation on a section or two of "Country Air," and that he was there when Brian was conceiving the Elements. Of course, he was later revealed as a fraud, but that idea always sounded plausible to me.

Didn't AGD have a similar theory? Or is I misremembering? Andrew?
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« Reply #7 on: August 23, 2012, 01:25:11 PM »

Beautiful song that achieves total sublimity when it underscores the visual image of Mike Love urinating on the streets of Paris.
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« Reply #8 on: August 23, 2012, 01:43:24 PM »

There was a guy named "Bellagio Insider" on the old Smile Shop board who claimed that the original "Air" segment was a piano variation on a section or two of "Country Air," and that he was there when Brian was conceiving the Elements. Of course, he was later revealed as a fraud, but that idea always sounded plausible to me.

Didn't AGD have a similar theory? Or is I misremembering? Andrew?

In the complete guide he mentions that the theory exists but doesn't say whether he believes it or whether there is evidence for it.  However, since 'Cool, Cool Water' was considered for inclusion in Wild Honey, it seems possible that Brian was considering doing something with the elements for this album, even if 'Country Air' had nothing to do with Smile.  But if he was, he didn't get very far since 'Cool, Cool Water' wasn't included and as far as I know there wasn't either an earth or fire track considered for inclusion for his album.

But 'Country Air' is a fantastic song.  As with most of Wild Honey, I think the more minimalistic production style emphasizes the soulful vocal performances.
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« Reply #9 on: August 23, 2012, 02:02:51 PM »

Uhhhhhhhh-huh, be-doo-be-dum....
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« Reply #10 on: August 23, 2012, 04:41:25 PM »

The only song on Wild Honey that I don't care for. Not bad or without merit, but I usually forget it exists.
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« Reply #11 on: August 23, 2012, 05:16:27 PM »

I'd love to know the technical information of how/why the organ or electronic blips are in the mix. Friends has a lot of similar *blips* in the mix too, like someone pushed a button on a muted track real quick and then pressed it back.
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« Reply #12 on: August 23, 2012, 05:18:16 PM »

Fuzzy organ speaker?
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« Reply #13 on: August 23, 2012, 05:30:38 PM »

Fuzzy organ speaker?

lol fuzzy organ
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« Reply #14 on: August 23, 2012, 05:56:39 PM »

I'd love to know the technical information of how/why the organ or electronic blips are in the mix. Friends has a lot of similar *blips* in the mix too, like someone pushed a button on a muted track real quick and then pressed it back.
It sounds like the Chamberlain making those clicky/warbly sounds, especially on the lower held notes.
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« Reply #15 on: August 23, 2012, 08:23:54 PM »

Maybe my favorite song off my favorite album, though that changes of course!  Anyway, this like many other Beach Boys' songs, is unique and brilliant.  And so evocative - -I remember having WH on 8 Track and hearing this song in the countryside or woods and just being carried away.  And the tune still does that for me.

Come on!
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« Reply #16 on: August 23, 2012, 09:43:37 PM »

Once again a case of Beach Boys being ahead of their times. A pretty pastoral ballad during the height of the psychedelic era. We'd hear quite a few of these (not as great, though) in the following year from many big names.

This song succeeds in what Mother Nature's Son tries so hard to do. It takes the listener out to the woods. I can actually feel the cool morning breeze on the mountain every time this plays.
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« Reply #17 on: August 23, 2012, 10:30:44 PM »

One of my favorites on the WH album.  I put it right up there with Let the Wind Blow.  There's a similar vibe, real airy with lots of depth, but with a positive vibe.  I've heard the stereo fanmix circulating on the 'net, but it sounds very hissy and a bit warbley.  Obviously not from the greatest source.  I can't wait to hear a clean first generation stereo mix from the multis when it gets released. 
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« Reply #18 on: August 23, 2012, 10:36:36 PM »

Has anyone else noticed that the "buzzy organ" sound is also present in the second section of "Can't Wait Too Long"?  You have to listen a little closer on that one.
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« Reply #19 on: August 24, 2012, 09:08:06 AM »

A song that just puts one at ease.
I have this on a BB compilation (placed near Let The Wind Blow) and a few years back when a group of us were winter camping it came on at about 2 -3 am. when we were sitting by the campfire in the otherwise quiet woods with a brilliant clear and starlite night. A perfect setting for the song!
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« Reply #20 on: August 24, 2012, 09:10:02 AM »

People link this tune with Let The Wind Blow… in my mind it also fits well with Wake the World. I guess it's the 'rise and shine' theme, which also occurs in Barnyard. They're all good fresh air songs.
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« Reply #21 on: August 24, 2012, 10:14:02 AM »

People link this tune with Let The Wind Blow… in my mind it also fits well with Wake the World. I guess it's the 'rise and shine' theme, which also occurs in Barnyard. They're all good fresh air songs.

For me it feels Similar to Love to Say Dada and Little Pad. I can't put my finger on it but I wouldn't  be surprised if it was originally composed alongside dada i.e. during the latter stages of smile/as it transitioned into smiley.

AGD does favour the Air element theory from
 what I can  remember  of his posts on the subject.

Country Air is one of my favourite bb songs. So effortlessly breezy and beautiful. Impossible to grow tired of.
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« Reply #22 on: August 24, 2012, 11:07:15 AM »

I can't put my finger on it but I wouldn't  be surprised if it was originally composed alongside dada i.e. during the latter stages of smile/as it transitioned into smiley.

I think you are on to something there!!
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« Reply #23 on: August 24, 2012, 01:36:48 PM »

Gosh, how could I forget Carl's "come on!" The best ever use of that particular pairing of words. I mean, the way he shouts it, it's just so "come on"! He makes the listener believe every word, all two of them.

Right up there in my Beach Boys top 3 moments, along with "good" and "deep and wide".
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« Reply #24 on: August 24, 2012, 01:45:07 PM »

One of my favorites on the WH album.  I put it right up there with Let the Wind Blow.  There's a similar vibe, real airy with lots of depth, but with a positive vibe.  I've heard the stereo fanmix circulating on the 'net, but it sounds very hissy and a bit warbley.  Obviously not from the greatest source.  I can't wait to hear a clean first generation stereo mix from the multis when it gets released. 

that must be Brian's Baldwin organ, it's very prominent in the end of The Letter as well. It fits beautifuly on Can't Wait Too Long and Country Air. same sound that they used on Gettin' Hungry!
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