Dudd
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« Reply #500 on: September 06, 2015, 04:35:10 PM » |
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It's been about four hours and I still haven't got the intro to "How Could We Still Be Dancin'" out of my brain.
This is a call for help
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It’s going to be the greatest tribute album ever made.
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NateRuvin
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"I had to prove that I could make it alone"...
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« Reply #501 on: September 06, 2015, 07:45:33 PM » |
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The buildup in Goin' On.
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frightfulhog
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« Reply #502 on: September 07, 2015, 09:43:55 PM » |
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The string part on Time to Get Alone!! Especially that little bend/glissando* after the melody lines of the last chorus DANG
(I don't play strings so I don't know the proper terminology but still DANG)
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Boan Mahoni
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« Reply #503 on: September 08, 2015, 11:25:05 AM » |
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"Oh Lord I lay me down, my branches to the ground, there's nothing left for me!"
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silodweller
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« Reply #504 on: September 10, 2015, 06:30:43 AM » |
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*strumming guitar* "I'm thinkin' 'bout-a this whole world" *into drums*
That moment ALWAYS gets me.
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"Carl broke his cigarette over his G string, we're sorry..."
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KDS
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« Reply #505 on: September 10, 2015, 07:43:40 AM » |
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The chorus to Good to My Baby has been running in my head since I saw The Beach Boys three weeks ago.
Listened to the Today / SDSD 2-fer on the way to the beach last Friday.
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JK
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Maybe I put too much faith in atmosphere
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« Reply #506 on: February 09, 2016, 03:20:08 AM » |
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The last key change in "That's Not Me", when the tambourines and other percussion reenter.
This is the moment when this unusually structured song finally makes sense to me----and how!
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catlag
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It's a genuine fact that the Beach Boys rule.
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« Reply #507 on: February 09, 2016, 05:02:29 AM » |
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I love his little scream-y laugh near the beginning since it makes me picture Brian coming up from having just engulfed his entire face in cocaine and snorted as much as he could in the time before the next chorus and I laugh every time...
...and when he just starts saying random stuff near the middle of the song (something about his c*ck and the wall?!)...
...and I love every time he manically yells LET'S GO MOTHERFU*KRS!!!
Basically, this sort of craziness is why I love Love You, haha -- and I feel it would've benefited had it been laced with expletives as was surely the case at some point, ho ho ho.
What's the song? |
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Le moineau est venu se poser à ma fenêtre.
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JK
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Maybe I put too much faith in atmosphere
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« Reply #508 on: February 09, 2016, 05:27:44 AM » |
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I love his little scream-y laugh near the beginning since it makes me picture Brian coming up from having just engulfed his entire face in cocaine and snorted as much as he could in the time before the next chorus and I laugh every time...
...and when he just starts saying random stuff near the middle of the song (something about his c*ck and the wall?!)...
...and I love every time he manically yells LET'S GO MOTHERFU*KRS!!!
Basically, this sort of craziness is why I love Love You, haha -- and I feel it would've benefited had it been laced with expletives as was surely the case at some point, ho ho ho.
What's the song? |
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KDS
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« Reply #509 on: February 09, 2016, 07:19:54 AM » |
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Since seeing Brian again in November, I've been really enjoying the wordless vocal middle section of One Kind of Love.
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Emily
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« Reply #510 on: February 09, 2016, 07:29:37 AM » |
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The jazzy break at the end of the chorus in 'Let Him Run Wild'.
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KDS
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« Reply #511 on: February 09, 2016, 07:35:20 AM » |
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The jazzy break at the end of the chorus in 'Let Him Run Wild'.
Good choice. I got to hear Mike and Bruce do that one last summer. I'm hoping Brian ads it to his setlist for 2016, especially since it was a bridge to Pet Sounds. |
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JK
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Maybe I put too much faith in atmosphere
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« Reply #512 on: February 11, 2016, 10:04:20 AM » |
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The almost unbearably poignant vocal harmonizing on "Thank Him": https://www.youtube.com/watch?v=sRahW0sF04Y |
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MyDrKnowsItKeepsMeCalm
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« Reply #513 on: February 11, 2016, 11:23:57 AM » |
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Since seeing Brian again in November, I've been really enjoying the wordless vocal middle section of One Kind of Love.
I saw Brian in October, and I remember that section jumping out at me too! I hadn't noticed it as much on the NPP studio version up to that point, but I do now. Those little discoveries are half the fun of the live Brian/BBs shows for me. So many nuances and moments in the vocal arrangements that have a different impact when they are being performed live in front of you. |
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JK
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Maybe I put too much faith in atmosphere
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« Reply #514 on: February 13, 2016, 03:57:47 AM » |
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That maniacal cymbal smash in "Johnny Carson".  Actually, there's another, equally goofy tune (a UK #1) with a cymbal smash in pretty well the same place: https://www.youtube.com/watch?v=72cEe1JKcSYOthers with one iconic cymbal smash apiece, but on the second beat of the bar in question, are Beefheart's "The Spotlight Kid" and Fleetwood Mac's "Don't Stop"... |
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« Last Edit: February 13, 2016, 04:00:44 AM by john k »
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You Kane, You Commanded, You Conquered
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spoons rattling
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« Reply #515 on: April 03, 2016, 02:42:45 PM » |
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When the SMiLE version of Wind Chimes goes crazy.
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"Oh! Don't beat on those sticks!"
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mabewa
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« Reply #516 on: April 04, 2016, 10:35:18 PM » |
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Lately, it's been the vocal interplay between Blondie, Al, Brian and Matt on 'Sail Away.' That's a really lovely tune. I like 'One Kind of Love,' but would gladly trade it for 'Sail Away' in Brian's live set.
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JK
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Maybe I put too much faith in atmosphere
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« Reply #517 on: April 05, 2016, 12:27:50 PM » |
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Blondie wailing in the coda of "Funky Pretty" over that awesome riff.
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Emily
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« Reply #518 on: April 05, 2016, 01:27:47 PM » |
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Blondie wailing in the coda of "Funky Pretty" over that awesome riff.
Yeah. I don't have an opinion on the Usay Greecay thing, but I know the sound of the whole song is fabulous. |
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jackjachman
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« Reply #519 on: April 05, 2016, 09:19:52 PM » |
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Blondie wailing in the coda of "Funky Pretty" over that awesome riff.
Perfect. In addition to this, the middle section of "Rainbow Eyes", starting at 1:48 (the time is embedded in my brain) with "Lavender sunsets...". Such a great example of him using different sections of music in the same song during this era, it totally transports you out of the melody you've been hearing into this fluttering haze of jazzy color and far out instrumentation. I have no idea how I haven't created a loop of this yet. |
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petsoundsnola
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« Reply #520 on: April 06, 2016, 05:42:53 AM » |
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Impeccable timing! I was just listening to this song yesterday and totally agree. I love the melody and harmonizing on this song. |
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petsoundsnola
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« Reply #521 on: April 06, 2016, 06:32:15 AM » |
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The jazzy break at the end of the chorus in 'Let Him Run Wild'.
Awesome. There are so many cool parts of that song that give me joy. I love the backing track, the chord changes, the vocal phrasing on the word "care", the lyrics... After listening to the entire catalog backwards and front, I always come back to LHRW as one of my all-time favorite BB songs - definitely in my top 5. |
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Emily
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« Reply #522 on: April 06, 2016, 09:11:15 AM » |
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The jazzy break at the end of the chorus in 'Let Him Run Wild'.
Awesome. There are so many cool parts of that song that give me joy. I love the backing track, the chord changes, the vocal phrasing on the word "care", the lyrics... After listening to the entire catalog backwards and front, I always come back to LHRW as one of my all-time favorite BB songs - definitely in my top 5. Absolutely agree. |
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Micha
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« Reply #523 on: April 07, 2016, 08:38:06 AM » |
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Desper's latest study video.
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Ceterum censeo SMiLEBrianum OSDumque esse excludendos banno.
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You Kane, You Commanded, You Conquered
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spoons rattling
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« Reply #524 on: April 07, 2016, 01:13:48 PM » |
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While we're at it, the "DEEP AND WIDE" in Time To Get Alone, a great moment in an otherwise tepid song.
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"Oh! Don't beat on those sticks!"
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