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Author Topic: The Perfectionist  (Read 6793 times)
retrokid67
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« on: December 25, 2013, 09:54:46 PM »

It amazes me how Brian can stay in a studio for 9 hours straight, redoing tracks over and over again, no wonder he got so good Shocked!  Did the other guys get tired of that and lash out?  When it came to vocal harmonies in live shows (the acapella numbers) did Denny feel left out when they had him sitting in the back ("HWFOS" Andy Williams Show) or did he or Al feel out of place when they had to sing four part harmonies and one had to lip sink over the other's voice ("In My Room" Red Skelton Show)?  Did Brian ever get on Mike for being too nasally, cause at times, he could be, which was really annoying.  Is there anything in the studio that CARL HIMSELF couldn't do right?
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« Reply #1 on: December 25, 2013, 11:25:27 PM »

Nine hours straight ? Which session was that ?
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retrokid67
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« Reply #2 on: December 25, 2013, 11:32:17 PM »

I just read that in the book it was either around the Smile Era, crazy right Shocked
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« Reply #3 on: December 25, 2013, 11:37:01 PM »

Page number please ?  Smiley

Oh... wait... I know - there was a quote (Nik Venet ?) about him hanging in there for however long it took, eight nine hours. Mildly exaggerated - I think the longest session we know of is something like four, four and a half hours. That would be a track session, of course: the documentation for the vocal sessions has thus far proven elusive.

Moral of this story - don't believe everything you read in books !  Grin
« Last Edit: December 25, 2013, 11:40:57 PM by The Legendary AGD » Logged

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retrokid67
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« Reply #4 on: December 25, 2013, 11:51:00 PM »

Page number please ?  Smiley

Oh... wait... I know - there was a quote (Nik Venet ?) about him hanging in there for however long it took, eight nine hours. Mildly exaggerated - I think the longest session we know of is something like four, four and a half hours. That would be a track session, of course: the documentation for the vocal sessions has thus far proven elusive.

Moral of this story - don't believe everything you read in books !  Grin

bare with me this might take awhile  LOL, there's a lot of info but that particular thing stuck out in my mind and they said that he would listen to a song 20x in a row to see if it was worth putting on the album.  hold on I'll find it, it was either Pet Sounds or Smile
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"In this new day, change your heart.  Forgive your brother, for life is precious."

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retrokid67
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« Reply #5 on: December 26, 2013, 12:32:03 AM »

Page number please ?  Smiley

Oh... wait... I know - there was a quote (Nik Venet ?) about him hanging in there for however long it took, eight nine hours. Mildly exaggerated - I think the longest session we know of is something like four, four and a half hours. That would be a track session, of course: the documentation for the vocal sessions has thus far proven elusive.

Moral of this story - don't believe everything you read in books !  Grin

bare with me this might take awhile  LOL, there's a lot of info but that particular thing stuck out in my mind and they said that he would listen to a song 20x in a row to see if it was worth putting on the album.  hold on I'll find it, it was either Pet Sounds or Smile

o thank God you remembered cuz I was having a hard time finding it  LOL; yea I had a feeling it was a bit exaggerated in the back of my mind but I didn't know how much.  I had been aware before that he would have long studio sessions.
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retrokid67
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« Reply #6 on: December 26, 2013, 12:33:44 AM »

Page number please ?  Smiley

Oh... wait... I know - there was a quote (Nik Venet ?) about him hanging in there for however long it took, eight nine hours. Mildly exaggerated - I think the longest session we know of is something like four, four and a half hours. That would be a track session, of course: the documentation for the vocal sessions has thus far proven elusive.

Moral of this story - don't believe everything you read in books !  Grin

bare with me this might take awhile  LOL, there's a lot of info but that particular thing stuck out in my mind and they said that he would listen to a song 20x in a row to see if it was worth putting on the album.  hold on I'll find it, it was either Pet Sounds or Smile

o thank God you remembered cuz I was having a hard time finding it  LOL; yea I had a feeling it was a bit exaggerated in the back of my mind but I didn't know how much.  I had been aware before that he would have long studio sessions.

when I read your comment all I saw was "Page number please?  Smiley"  I didn't see the rest  LOL sorry  Embarrassed
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« Reply #7 on: December 26, 2013, 12:36:54 AM »

No need to apologise - the quote came to me about three seconds after I posted the "page number" request.  Smiley
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retrokid67
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« Reply #8 on: December 26, 2013, 12:57:06 AM »

No need to apologise - the quote came to me about three seconds after I posted the "page number" request.  Smiley

See great minds think alike  High Five those kind of quotes stick out in our minds but do you have any insight on the guys lashing out etc.?  As much as I love Brian I would've lost patients  LOL probably not as bad as if Denny would've with his temper of course Cheesy
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« Reply #9 on: December 26, 2013, 01:21:32 AM »

There's a vocal session for "Help Me, Rhonda" where it reaches something like take #32, and Alan says "THIRTY TWO ??!  God, I... HATE this song."

You really need to listen to the studio sessions (I have no idea where you'd find them, of course: that would be morally reprehensible in the extreme...  Roll Eyes). It's not just the band getting tetchy with Brian. Allegedly.
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retrokid67
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« Reply #10 on: December 26, 2013, 01:47:46 AM »

Oh ok cool  Cool they have a few on YouTube for Pet Sounds and the Party Album, in fact I was listening to it earlier but I couldn't tell who was who half the time because in the 60s their speaking voices all sounded the same to me except for Mike's.  In the 70s era it's easier to pick their voices apart.  how about the 4 part harmonies? Did Denny or Al ever feel insecure, because someone awhile ago said that Dennis' vocals were prominent in the early days but as the years went on except for maybe on occasion he was in the back (for acapella performances) or not singing in the studio like in "And Your Dream Comes True".  I wish Brian could of came up with an extra harmonic blend (if that's the right term) so that no one in the group would be left out in the cold you know?  I expressed on another post that it angered me to watch the Andy Williams show when they performed "HWFOS" even though it sounded great  Angry; and on the Red Skelton show appearance it seemed like Al was lip sinking to Denny's part (which I would feel awkward doing if I was him  Undecided).  also on Shindig it seemed kinda obvious that they were lip sinking to "HWFOS" and at the end Denny was lip sinking to Brian's little solo parts which was very odd... Undecided
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« Reply #11 on: December 26, 2013, 04:38:47 AM »

Did Denny or Al ever feel insecure, because someone awhile ago said that Dennis' vocals were prominent in the early days but as the years went on except for maybe on occasion he was in the back (for acapella performances) or not singing in the studio like in "And Your Dream Comes True". 

That would be a good thing because "409" near the fadeout makes a good case for never having Dennis's vocals used again on a recorded performance.
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« Reply #12 on: December 26, 2013, 06:34:57 AM »

There's a vocal session for "Help Me, Rhonda" where it reaches something like take #32, and Alan says "THIRTY TWO ??!  God, I... HATE this song."

Not related to a vocal take, but Carol Kaye has an anecdote about recording the backing track to Help Me Rhonda (or Ronda) - Brian kept having them play the track over and over again, so much so that Carol's fingers started to bleed. When Brian finally let them go for the night, Carol flipped him the bird as she walked out of the studio.

My favorite set of studio takes are from the 'California Girls' session - take after take gets screwed up in some way, but finally, by take 44 they finally have a perfect track. Perfectionism pays off!

As for the vocal sessions, Mike used to call Brian "dog ears" because Brian would hear the smallest mistakes and make them redo the vocal until they got it right.
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« Reply #13 on: December 26, 2013, 12:20:27 PM »

That was related in a book about the Crew, and it's entirely untrue, as the session the author was describing is obviously the famous Murry-interrupted vocal session. This time, not down to her memory.
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« Reply #14 on: December 26, 2013, 12:23:42 PM »

That was related in a book about the Crew, and it's entirely untrue, as the session the author was describing is obviously the famous Murry-interrupted vocal session. This time, not down to her memory.

She talked about it in an interview on the Brian Wilson songwriter dvd...that's where I heard it at least.
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"ragegasm" - /rāj • ga-zəm/ : a logical mental response produced when your favorite band becomes remotely associated with the bro-country genre.

Ever want to hear some Beach Boys songs mashed up together like The Beatles' 'LOVE' album? Check out my mix!
retrokid67
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« Reply #15 on: December 26, 2013, 12:40:29 PM »

Did Denny or Al ever feel insecure, because someone awhile ago said that Dennis' vocals were prominent in the early days but as the years went on except for maybe on occasion he was in the back (for acapella performances) or not singing in the studio like in "And Your Dream Comes True". 

That would be a good thing because "409" near the fadeout makes a good case for never having Dennis's vocals used again on a recorded performance.

I personally love the fade out of "409" but maybe that's just me being a fan girl  Roll Eyes.  For me, the background vocal harmonies that annoy me the most is on "Got To Know The Woman" Wall.  I don't know if those are girls doin that...or Bruce Johnston...ugh...I hope it wasn't Carl.  usually I get tired of Mike's "papa oo maw maws" but it actually worked in that song.
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« Reply #16 on: December 26, 2013, 12:46:05 PM »

Did Denny or Al ever feel insecure, because someone awhile ago said that Dennis' vocals were prominent in the early days but as the years went on except for maybe on occasion he was in the back (for acapella performances) or not singing in the studio like in "And Your Dream Comes True". 

That would be a good thing because "409" near the fadeout makes a good case for never having Dennis's vocals used again on a recorded performance.

I personally love the fade out of "409" but maybe that's just me being a fan girl  Roll Eyes.  For me, the background vocal harmonies that annoy me the most is on "Got To Know The Woman" Wall.  I don't know if those are girls doin that...or Bruce Johnston...ugh...I hope it wasn't Carl.  usually I get tired of Mike's "papa oo maw maws" but it actually worked in that song.

"The rest of the backing vocals involved a massed choir of several Beach Boys and some studio ringers. Julia Tillman, Carolyn Willis, and Edna Wright added their feminine touch to the song at Sunset Sound on February 14th, 1969."

http://recordingsunflower.blogspot.com.au/2008/02/track-4-got-to-know-woman.html
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retrokid67
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« Reply #17 on: December 26, 2013, 12:51:29 PM »

Did Denny or Al ever feel insecure, because someone awhile ago said that Dennis' vocals were prominent in the early days but as the years went on except for maybe on occasion he was in the back (for acapella performances) or not singing in the studio like in "And Your Dream Comes True". 

That would be a good thing because "409" near the fadeout makes a good case for never having Dennis's vocals used again on a recorded performance.


I personally love the fade out of "409" but maybe that's just me being a fan girl  Roll Eyes.  For me, the background vocal harmonies that annoy me the most is on "Got To Know The Woman" Wall.  I don't know if those are girls doin that...or Bruce Johnston...ugh...I hope it wasn't Carl.  usually I get tired of Mike's "papa oo maw maws" but it actually worked in that song.

"The rest of the backing vocals involved a massed choir of several Beach Boys and some studio ringers. Julia Tillman, Carolyn Willis, and Edna Wright added their feminine touch to the song at Sunset Sound on February 14th, 1969."

http://recordingsunflower.blogspot.com.au/2008/02/track-4-got-to-know-woman.html

Oh ok cool, thanks for the website  Smiley  I still hate those high pitched voices  Wall but I'm in love with Denny's vocals on the song, it's my favorite upbeat song of his with "Slip On Through" a close second  Listening from that album anyway.
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« Reply #18 on: December 27, 2013, 04:36:47 AM »

I really like Dennis's contributions to Sunflower a lot. "Got to Know the Woman" is pretty amusing. I love the track and the vocals too.
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« Reply #19 on: December 29, 2013, 05:25:38 AM »

No need to apologise - the quote came to me about three seconds after I posted the "page number" request.  Smiley

See great minds think alike  High Five those kind of quotes stick out in our minds but do you have any insight on the guys lashing out etc.?  As much as I love Brian I would've lost patients  LOL probably not as bad as if Denny would've with his temper of course Cheesy

If Al had become a dentist, how many patients would he have lost attending a vocal session? Wink 2
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« Reply #20 on: December 29, 2013, 10:06:45 AM »

No need to apologise - the quote came to me about three seconds after I posted the "page number" request.  Smiley

See great minds think alike  High Five those kind of quotes stick out in our minds but do you have any insight on the guys lashing out etc.?  As much as I love Brian I would've lost patients  LOL probably not as bad as if Denny would've with his temper of course Cheesy

If Al had become a dentist, how many patients would he have lost attending a vocal session? Wink 2

 Drumroll           LOL LOL LOL LOL LOL LOL LOL
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Don Malcolm
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« Reply #21 on: December 29, 2013, 02:04:53 PM »

"You'll hear it in a dentist's chair/But Dr. Jardine won't be there..."  Evil
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SMiLE Brian
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« Reply #22 on: December 29, 2013, 02:16:23 PM »

brillant.... LOL LOL LOL
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And production aside, I’d so much rather hear a 14 year old David Marks shred some guitar on Chug-a-lug than hear a 51 year old Mike Love sing about bangin some chick in a swimming pool.-rab2591
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« Reply #23 on: December 30, 2013, 07:45:54 PM »

Brian wasn't a perfectionist, the Beach Boys catalog is full of mistakes in songs.  Bum notes, guys singing the wrong lines, Brian off key himself, sloppy recordings with backround noise or chatter, etc. 

He just wanted things to sound how he imagined them, or was using the studio as a place to 'write'.   Perfectionist implies that he wanted everything exactly right, which wasn't the case at all.  A lot of the 'magic' that makes the Beach Boys sound so great were happy accidents, or stuff that was pretty much improvised on the spot by a member of the band or one of the boys. 
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« Reply #24 on: December 31, 2013, 01:36:22 PM »

There's Brian before he went into the complete downward spiral of drugs and depression, who was a perfectionist, and then a very different guy when he emerged from years and years of drugs and damage to himself, who often made/makes mistakes.
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