Listening to the longer version on
1967: ST with the instrumental track exposed, it's clear that there are two keyboards at work. That said, my attempt at a transcription done in February is as close as makes a difference. Though you might choose to make the following modifications:
In bar 10 you could best repeat that G ♭ chord on the fourth beat instead of the
tremolando effect. In bar 11 you can hear
quaver triplets alternating the B♭ and G at the top of the chord----that might mean simplifying the bass. There are other minor differences but I leave that to you, the player. Don't take my word for all this----please listen for yourself.
In bar 4, that 's an E♭in the right hand (not a D♭)
In bar 5, the first note in the bass is a D♭ (not an E♭)
The wavy lines in the second system denote a tremolo-like alternation between the notes of those chords (a typically pianistic device)
In the fourth system, that's an A♭ on the second beat in the right hand (not a G♭)
You may want to play the bass an octave lower, as in the video, for greater effect.