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Author Topic: Album form Al?  (Read 8199 times)
Smilin Ed H
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« on: July 27, 2006, 02:23:01 AM »

By: Howie Edelson

Beach Boy Al Jardine is currently working on his first-ever solo
studio album, which will be a concept album about California.
Jardine, who stopped touring with the group in 1998, will be
focusing the project on California's history, climate and energy
problems as well as various ecological topics. There's been no
release date set for the still-untitled album.

Jardine told us that he used one of the Beach Boys'legendary
unreleased tracks as the springboard for the project: "I've put
together kind of an anthology. After we had El Nino here, I kind
of came up with some other songs and some tie-ins to (the Beach
Boys'song) 'Lookin'Down The Coast,'and I was gonna change the
title and call it 'California Coast'and then bring it up to
date, and try to do more of it in Spanish. Y'know, because the
Spanish language is so huge now. 'Cause California was
discovered by the Spanish. Y'know, these carousing Spaniards,
right (laughs)?"

Throughout the years, Jardine has often written and recorded
California-themed songs for Beach Boys albums, including the
"California Saga" suite from the group's 1973 Holland album, and
"Santa Ana Winds" which he co-wrote with Brian Wilson for the
group's 1980 Keepin'The Summer Alive album. Most recently,
Jardine released "California Energy Blues" on the 2002 Al
Jardine Family & Friends Live In Las Vegas album.

In addition to recording the new album, Jardine is also working
on his autobiography, and on an animated feature based on the
Beach Boys'1966 hit "Sloop John B."

This winter, Jardine will team up with Christopher Cross and
Loggins & Messina's Jim Messina for the California Christmas
tour, which will feature the trio performing holiday classics as
well as their greatest hits. The tours dates and venues are
still being ironed out, but the tour is expected to begin in
early November.


http://www.icebergradio.com/node/18125
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« Reply #1 on: July 27, 2006, 02:44:03 AM »

The New Album - Sounds good and very promising. Hopefully, Al will keep the cover versions to a minimum, as well as the voice-overs. Not too enamored with a bunch of Spanish lyrics. I don't need novelty songs or even intricate themes. Just good songs. Maybe we can get both good songs and intricate themes. I won't hold my breath on this new album, as there have been at least two previous announcements of some sort of a forthcoming Al album. I think his publicists actually put a full-blown press release out back in 1998 about an album from "The Jardines." Nothing ever came of that. I think back around 2000 or so ESQ or somebody reported about Al working on an album that was going to include a song he wrote with Terry Jacks (was that "Don't Fight the Sea"?), and, interestingly considering Brian remade it not too long after, "California Feeling."

The Tour - I'm not sure about the X-Mas theme or having to sit through material from Cross or Messina, but if the tour gets Al out there a bit more for his fans to see, then that might be good. Hopefully the tour will be substantial enough that there will be enough shows around the country that most fans can get to one without too much trouble.

The Autobiography - Again, I'm not holding my breath on this one either. Hopefully if it makes it out it won't be like a Timothy White sort of thing where half the book is about the Jardine family tree and the history of Big Sur, but however it comes out, it will be interesting to get the story from a new perspective.

The Animated Film - I'm sort of indifferent to this one. I got the book because it had a new song on the CD. But I've spoken to several folks who are quite knowledgable about children's literature, and they weren't greatly impressed with the book. I certainly felt the book could have been a little more substantial, even for its target age audience. 
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« Reply #2 on: July 27, 2006, 04:25:19 AM »

Quote
The Tour - I'm not sure about the X-Mas theme or having to sit through material from Cross or Messina, but if the tour gets Al out there a bit more for his fans to see, then that might be good. Hopefully the tour will be substantial enough that there will be enough shows around the country that most fans can get to one without too much trouble.

This is the part that intrigues me.  I love the idea of those three voices working together...and i love Jim Messina's music!  Not so high on Christopher Cross, but i never disliked it.

This show i would go see in a heartbeat.
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« Reply #3 on: July 27, 2006, 05:05:40 AM »

A solo-album by Al would be great news! "California energy blues" is awesome imo.

Well, I guess there goes the reunion, right (if that would ever have happened)....?
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« Reply #4 on: July 27, 2006, 05:29:42 AM »

I'd like to hear 'Al Jardine - The spoken word album' talking about weather in Southern California and raising horses on his ranch.
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« Reply #5 on: July 27, 2006, 06:09:53 AM »

I guess it'll sound like this:

"Here in southern california we got a weather condition known as the santa ana winds..."


Maybe he could put a "Mow" in there somehow....


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« Reply #6 on: July 27, 2006, 06:51:21 AM »

I think an autobiography by Al Jardine could be very interesting and entertaining.
I wouldn't mind at all hearing him go on a bit about Big Sur and life at Phifer Beach.  And his perspective on the band is certainly unique.
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« Reply #7 on: July 27, 2006, 06:58:12 AM »

Yeah, I actually like California Saga, even the beaks of eagles I'll listen to when I play the record. 
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« Reply #8 on: July 27, 2006, 07:18:30 AM »

Color me skeptical.  Whatever!
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« Reply #9 on: July 27, 2006, 08:00:03 AM »

An autobiography from Al? Seems like it would be pretty straight (not have as much controversy like Brian's).  However, Al seems to have lived a pretty uneventful life, despite being in the Beach Boys.

possible excerpt:

And then I said to Brian, "Hey we should record that song Sloop John b." Brian seemed slightly interested, and when I showed him that instead of playing a C Major chord during the line "I wanna go home", we should drop the chord down to a B/Amaj7 and then to an Amaj7. That way the song would have more of a jazz feel to it. Brian was impressed, and went home that night and arranged the song to how we know it to be today. Despite my name not appearing with Brian's as the song's arranger, I still felt very happy with the final version of the song. When I told Mike how I felt about my name not appearing on the song and that I wanted to sue, he told me to wait until after twenty years because 'it would be funnier that way'."

I'll buy it anyway.
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« Reply #10 on: July 27, 2006, 08:48:50 AM »

Haha, I'd buy a book that had things like that in it.
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« Reply #11 on: July 27, 2006, 08:58:59 AM »



    I can't find this article on the Iceberg website.  You didn't make it up, did you?


                Love and merci,  Dan Lega
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« Reply #12 on: July 27, 2006, 09:52:20 AM »



    I can't find this article on the Iceberg website.  You didn't make it up, did you?


                Love and merci,  Dan Lega

When I posted my response, I had clicked on the link and that website did contain the article. My guess would be either that news items on that website expire very quickly, or somebody had the article pulled or decided to pull the article.
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« Reply #13 on: July 27, 2006, 09:58:17 AM »

I  read about Al working on or doing part of some sort of ecological based concept allbum many years ago.  Could this be his attempt to finish that album?

He did Santa Ana winds, the California Saga stuff and some other related pieces.
And he did live out at Phifer Beach foer a while....or maintained a residence there.  Same place Bobby Darin retreated to in his folkie period.  I believe that is where he is seen with the horses on one of the Bios...and that is where the footage of the water shooting through the rocks on the  wendy beach was filmed.

I can see this as a viable project inspired by the rugged natural beauty of central California.  It would make for some great video as well.  Question: are ANY of the BB's at this point capable of  one last really great album ?  
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« Reply #14 on: July 27, 2006, 10:00:29 AM »

When's Bruce going to come out with something?
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« Reply #15 on: July 27, 2006, 10:06:44 AM »

Your kidding, right?

He still has thousands of copies of his 1st album in the basement that he's trying to get rid of.
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« Reply #16 on: July 27, 2006, 10:20:54 AM »

Hahaha...still though Bruce's 'outside' perspective of the band would be very interesting...
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« Reply #17 on: July 27, 2006, 11:53:36 AM »



 I can't find this article on the Iceberg website. You didn't make it up, did you?


 Love and merci, Dan Lega

If it was made up, then it would be the best "made up" Beach Boys story since Gcplayer from the "old" Shut Down board posted this story:

This is a story from the Associated Press that was released Sunday, November 27, 2005:

Early Saturday morning, Beach Boys founder and main producer, composer, and arranger Brian Wilson walked out of his New York City hotel to find former bandmate Mike Love waiting for him. Love sued Wilson earlier this year for "shamelessly misappropriating...Love's songs, likeness, and the Beach Boys trademark, as well as the 'Smile' album itself." According to the hotel's doorman, Love appeared to be intoxicated and began screaming obscenities at Wilson, calling him among other things a "liar" and a "cattle rustler". Wilson tried to walk back into the hotel and end the confrontation, but Love followed him, spun him around and slapped him like a little girl. Wilson calmly told the doorman to call authorites and Love ran away, screaming behind him "I'm Mike Love!! I can bench four hundred pounds!!" Authorities throughout the states of New York and Pennsylvania are trying to apprehend Mike Love. If you sight him, please notify your local police department.

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« Reply #18 on: July 27, 2006, 12:18:42 PM »

  Gosh I love that little guy Al.  He truly was the third genius in the BB's.  His cd must include a heady over-produced thinly mixed techno/ disco remake of his Disney-esque "Lady Lynda" from the highly under-rated La light album.  Mr. Jardine is still a largely untapped reserve of interesting talent.  Al, just do something,cd,book,concerts something instead of sitting on your tookas.  We want to hear him live but the little guy is as evasive as BW in the years 68-82.  Why doesn't Al capitalize on the interest in his music....I haven't a clue.  I just wanna give him a super tough Big Sur bear-hug.  And squeeze the little impish man. 
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« Reply #19 on: July 27, 2006, 03:40:56 PM »

I  read about Al working on or doing part of some sort of ecological based concept allbum many years ago.  Could this be his attempt to finish that album?

He did Santa Ana winds, the California Saga stuff and some other related pieces.
And he did live out at Phifer Beach foer a while....or maintained a residence there.  Same place Bobby Darin retreated to in his folkie period.  I believe that is where he is seen with the horses on one of the Bios...and that is where the footage of the water shooting through the rocks on the  wendy beach was filmed.

I can see this as a viable project inspired by the rugged natural beauty of central California.  It would make for some great video as well.  Question: are ANY of the BB's at this point capable of  one last really great album ? 

Al's had a couple of shots at a solo album, thus:

"untitled Jardine family album[/b]
projected release date spring 1999
recorded spring-summer 1998
produced by  The Jardines & Michael Utley
Islands In The Sun - A Pirate Looks At Fifty - Wish - California Saga:California - Tell Me - Shooting Star - Beauty Day - Middle Of Nowhere
(track sequence unknown)

Big South[/b]
projected release date ?2001
recorded spring-summer ?2000
produced by  Alan Jardine
California Feeling - Looking Down the Coast (trilogy) - Don't Fight The Sea - California Saga: California - Crumple Car - Highway 101 - Wishing You Were Here - Good Feelings - California Energy Blues
(track sequence unknown)
 
   The only band member never to have released a studio solo album to date nonetheless announced the recording of one such in a June 1998 press release from Brown & Dutch, The Beach Boys publicists. The project was reported to have been inspired by a public service ammouncement by Jimmy Buffett concerning the endangered Floridian manatee... and nearly five years later, we're still waiting. "Islands In The Sun", an uptempo, "Kokomo"-styled ballad written by all three, features a lead vocal by Matt and was partly recorded at Jimmy Buffett's studio in Key West, The bulk of the tracks listed were recorded at Alan's Red Barn studio in Big Sur: "A Pirate Looks At Fifty" is a rewrite of a classic Buffett song, "Wish" is a collaboration between Alan and Larry D'Voskin, a ballad inspired by Jardine's wish to fulfill the band's relationship with Brian when he decided to cease touring with the band in 1966 and it's possible that a small portion of the rerecording of "California" was featured in the Endless Harmony documentary of 1998. The last four titles listed are songs by Adam, except "Middle Of Nowhere", a collaboration between Matt and BB sax player Ritchie Canata.
 
  About a year later, Endless Summer Quarterly reported that in addition to completing a new song, Alan had plans to put an album together "very soon" with his sons Matt and Adam. Presumably recorded at Red Barn,  tracks mentioned for possible inclusion were "California Feeling", the "Looking Down the Coast" trilogy, "Don't Fight The Sea" (a collaboration with Terry Jacks dating from late 1980), "Highway 101" (featuring the late Steve Douglas on sax, thus recorded before April 1993), "California Saga: California" (recorded in 1996 for the Stars & Stripes Volume 1 album), "Good Feelings" (featuring a Matt Jardine lead vocal), "Crumple Car", "Wishing You Were Here" (presumably the Chicago song) and "California Energy Blues". Only this last title saw eventual release, as a 'bonus' track on the Family & Friends Live In Las Vegas CD of 2001."
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« Reply #20 on: July 27, 2006, 03:54:40 PM »

Maybe Al's problem is the same with Mike's: No record company wants an album from a bunch of has-beens. Brian Wilson should be in the same category, but it is "Brian Wilson", so he mas a little more merit.

Al's California concept album looks like it may be very fun to hear. I hope the direction he takes with it will be similar to how the "original" version of Big Sur was recorded. Folkie with soothing harmonies. None of that PT Cruiser stuff.

Mike's album might get picked up if he somehow is able to release it under the name "Beach Boys". Why not? He tours under the name, wouldn't be much of a stretch. Or better, a possible release on the internet, via Beachboyscentral.com.
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« Reply #21 on: July 27, 2006, 03:58:42 PM »

Mike's album might get picked up if he somehow is able to release it under the name "Beach Boys". Why not? He tours under the name, wouldn't be much of a stretch. Or better, a possible release on the internet, via Beachboyscentral.com.

The license to use the BB name is for touring only. That's why not.  Cool
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« Reply #22 on: July 27, 2006, 05:27:24 PM »

Mike's album might get picked up if he somehow is able to release it under the name "Beach Boys". Why not? He tours under the name, wouldn't be much of a stretch. Or better, a possible release on the internet, via Beachboyscentral.com.

The license to use the BB name is for touring only. That's why not.  Cool

Thank goodness! Thud
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« Reply #23 on: July 27, 2006, 05:37:47 PM »

Hell, SIP was a Mike solo album, and it went under the Beach Boys name. Of course, as Andrew has just informed us, the license isn't for recording.

Quote
Maybe Al's problem is the same with Mike's: No record company wants an album from a bunch of has-beens. Brian Wilson should be in the same category, but it is "Brian Wilson", so he mas a little more merit.

Don't know about that, because many has-beens still have record deals... AC/DC immediately springs to mind, the Who (without the late Moon & Entwistle, it's pointless), Whitney Houston (although I think she's too busy doing lines in between dodging punches from Bobby to record an album)...don't know why this would be any different.

All (slanderous) jokes aside, I'm hoping Al actually does release it, as I think the work he did with the BB to me is proof that there were other geniuses in the band besides the Wilson brothers.
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« Reply #24 on: July 27, 2006, 06:16:23 PM »

Hell, SIP was a Mike solo album, and it went under the Beach Boys name. Of course, as Andrew has just informed us, the license isn't for recording.

Quote
Maybe Al's problem is the same with Mike's: No record company wants an album from a bunch of has-beens. Brian Wilson should be in the same category, but it is "Brian Wilson", so he mas a little more merit.

Don't know about that, because many has-beens still have record deals... AC/DC immediately springs to mind, the Who (without the late Moon & Entwistle, it's pointless), Whitney Houston (although I think she's too busy doing lines in between dodging punches from Bobby to record an album)...don't know why this would be any different.


Well, somehow I think acts like AC/DC, The Who, and Whitney Houston have just a *tad* more name recognition among the general public than "Al Jardine." This is precisely why Al has trouble booking live shows. As much as labels (whether major or indie) who go after "aging" acts might like to put out an album based on the quality of the music, the reason some "aging" acts get a record deal is solely due to their name selling a minimum number of units.

I'm not quite as down on "Gettin' In Over My Head" as AGD for instance, but I think it's safe to say that some unknown artist would not have easily sold an album of that quality to any label.

Getting a record deal has little or nothing to do with Al producing or not producing an album. He knows he can sell it himself on the internet. That's what he did with "Live in Las Vegas"! Al is seemingly in a pretty good position to put an album together. He has experience releasing the stuff on his own, he presumably has more time on his hands than he did during his active touring years, he has experience as a producer, and he has his own studio! What I believe Al probably needs is an outside producer to helm the project. Not so much to even influence the sound of the album, but rather simply to execute some editorial control over the thing and convince Al to settle on some finished compositions and recordings and put something out. He probably has a bit of the "Loop de Loop" syndrome of over-working things. Just look at the song titles that have been mentioned in relation to this album. We're still looking at songs like "California Feeling", "Looking Down the Coast", and probably other songs that popped up in that long list of unreleased songs in the "authorized" Byron Preiss biography back in 1978/83. I wouldn't mind a new album with those songs (although it's pretty clear we'll never see the old recording of "Looking Down the Coast" released even if some sort of "Brother Rarities" set is released at some point), I'm just pointing out how long these songs have been in progress.
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