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614435 Posts in 24791 Topics by 3526 Members - Latest Member: sixtiesdoll August 19, 2017, 11:54:06 AM
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the captain
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« Reply #275 on: August 08, 2017, 10:28:47 AM »

But why? There's an ideally dead horse there for the beating.

 Dead Horse
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« Reply #276 on: August 09, 2017, 02:19:28 AM »

You may have a point there, cap'n. Grin

Pity KDS has got himself into trouble in that topic. KDS is one of the good guys----don't they realize that, gosh darn it? Cool Guy
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« Reply #277 on: August 09, 2017, 03:37:07 AM »

Pity KDS has got himself into trouble in that topic. KDS is one of the good guys----don't they realize that, gosh darn it? Cool Guy
I agree.
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« Reply #278 on: August 09, 2017, 03:42:52 AM »

I think I've never really got into trouble with someone here because I usually can't follow those discussions/arguments due to my lack of English skills.

Maybe I'd better not improve my English to keep myself from troubles Grin
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« Reply #279 on: August 09, 2017, 05:15:02 AM »

I think I've never really got into trouble with someone here because I usually can't follow those discussions/arguments due to my lack of English skills.

Maybe I'd better not improve my English to keep myself from troubles Grin

Don't stop improving your English, Watamushi-san, you're doing great. :=) 

My problem, apart from the fact that band politics are lost on me, is that I'm easily swayed. Someone can convince me that a thing's black and the next person can come along and convince me that it's white. So it's best I stay out of these discussions! Grin

 
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« Reply #280 on: August 09, 2017, 05:29:04 AM »

I actually enjoy some of those conversations, but I get disappointed in how seriously and personally people take them. It becomes so ugly and personal between posters (who are either stating opinions or just speculating and/or projecting their ideals onto the band anyway), and then it just drones on and on in walls of quotes of quotes, reiterated paragraph after reiterated paragraph, with just enough sniping and bitching about what some absent, third party said or did to make it REALLY tedious and childish.

Just disagree without making it into an overblown epic morality play.
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« Reply #281 on: August 09, 2017, 06:14:08 AM »

Pity KDS has got himself into trouble in that topic. KDS is one of the good guys----don't they realize that, gosh darn it? Cool Guy
I agree.

Thanks, JK and Watamushi. 

I know in my heart of hearts, I shouldn't involve myself into that whole drama.  It's a fruitless task, and a waste of energy really. 
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« Reply #282 on: August 09, 2017, 07:02:09 AM »

Here’s the thing: yeah it gets taken to personal levels, but one has to ask who took it to those levels in the first place? I used to be a really innocent wide-eyed fan who solely just loved this music. I looked up to people like AGD, I found guys like Mikie and Bgas to be hilarious. It goes on. There was so much about this place that I loved. I was a young fan and yeah, I was swayed easily too.

My personality, when it comes to this forum, completely changed when I saw firsthand the lying and the bullshit that went on publicly and privately. AGD went from a really trusted source to, well what I think of him today. Mike himself went from just another guy in the band to a complete prick (yes, the quotes from him do mean something, his actions do affect how I think about the guy). So many other aspects of this fandom completely changed for me.

I’m lightyears away from being a perfect poster, and I’ve flown off the handle several times, quit the board vowing to never come back (to which I got ridiculed for by AGD, and subtly but obviously called a liar by him). Back in the 2010 I was just another completely happy fan; happy to have found a wonderful place to share my joy of the music with others. How things changed.

When this place is called “toxic” because of some Full House opinions or because OSD really hates Mike Love, I’m completely flabbergasted, as a fan, that people like AGD who straight up spread sh*t information about Brian and Melinda aren’t the toxic ones...but people who dislike Full House are. Am I oversimplifying that? Maybe, but list all the information about what lies were told and spread about the Wilson’s, then list what makes this place apparently “toxic” and see who comes out looking worse. That’s what I can’t stand.

I wish terribly I could go back to 2010 to when I knew virtually nothing about this band and the fandom...when my participation in this forum was solely about the music. Those days are long gone, I’ve gained and lost a lot of friends with this forum, pissed off a few people, etc.. But frankly based off what I have seen with my own eyes, heard and read, I wouldn’t change a thing about how I’ve acted on this forum.
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« Reply #283 on: August 09, 2017, 10:41:02 AM »

I miss those days as well, before the C50 blowup that made everyone take sides in a fandom war... Undecided
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« Reply #284 on: August 09, 2017, 11:00:30 AM »

I miss those days as well, before the C50 blowup that made everyone take sides in a fandom war... Undecided

Was that the turning point, SB? Pity.

I agree with the captain that the conversations can be fun----at least they start that way----but inevitably something happens to drag them down. Someone mentions Mike, which isn't that unreasonable really, on a Beach Boys website! Then someone makes a derogatory remark about said Mike that often has nothing at all to do with the topic at hand. And it's all starts going downhill. And then someone feels wronged by something someone said (that someone had stepped on their dick, as the Dutch so colourfully put it) and things start getting personal. It's the same old story.

I remember looking in on Smiley from the old Capitol Board and marvelling at the erudition and generally high standard of what was being discussed. Even when I joined, I sort of sat in a corner most of the time, open-mouthed.

Whatever went wrong, I still have no problem with anyone here or at PSF (maybe with a single exception). I treat everyone as they treat me and things have always been fine. I'm simply not interested in what's happened in the past between posters. And I don't intend to get interested in it either.
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« Reply #285 on: August 09, 2017, 11:31:06 AM »

Here’s the thing: yeah it gets taken to personal levels, but one has to ask who took it to those levels in the first place? I used to be a really innocent wide-eyed fan who solely just loved this music. I looked up to people like AGD, I found guys like Mikie and Bgas to be hilarious. It goes on. There was so much about this place that I loved. I was a young fan and yeah, I was swayed easily too.

My personality, when it comes to this forum, completely changed when I saw firsthand the lying and the bullshit that went on publicly and privately. AGD went from a really trusted source to, well what I think of him today. Mike himself went from just another guy in the band to a complete prick (yes, the quotes from him do mean something, his actions do affect how I think about the guy). So many other aspects of this fandom completely changed for me.

I’m lightyears away from being a perfect poster, and I’ve flown off the handle several times, quit the board vowing to never come back (to which I got ridiculed for by AGD, and subtly but obviously called a liar by him). Back in the 2010 I was just another completely happy fan; happy to have found a wonderful place to share my joy of the music with others. How things changed.

When this place is called “toxic” because of some Full House opinions or because OSD really hates Mike Love, I’m completely flabbergasted, as a fan, that people like AGD who straight up spread sh*t information about Brian and Melinda aren’t the toxic ones...but people who dislike Full House are. Am I oversimplifying that? Maybe, but list all the information about what lies were told and spread about the Wilson’s, then list what makes this place apparently “toxic” and see who comes out looking worse. That’s what I can’t stand.

I wish terribly I could go back to 2010 to when I knew virtually nothing about this band and the fandom...when my participation in this forum was solely about the music. Those days are long gone, I’ve gained and lost a lot of friends with this forum, pissed off a few people, etc.. But frankly based off what I have seen with my own eyes, heard and read, I wouldn’t change a thing about how I’ve acted on this forum.

+1

and  w00t!
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« Reply #286 on: August 09, 2017, 11:33:50 AM »

I dearly miss those times too. For me it started with Silver Phial's blog, where I discovered "Get The Boot", which opened up a world of wonderful and sometimes weird outtakes and live recordings. Then I discovered this board, and my blood pressure and nerves haven't been the same since.  LOL I also very much miss the "deep" threads, filled with interesting and informative information on the group. Now it seems like it's turned into a universal "I hate Mike Love" board. Don't get me wrong, he's done plenty of things to dislike him for. But haven't we always not liked Mike? Can't we just all agree on that and go back to talking about the group again?
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« Reply #287 on: August 09, 2017, 02:31:54 PM »

A brief aside, if I may. KDS, assuming I've got the source right, this is Classic Rock's review of Sunshine Tomorrow: 

Gotta keep those lovin’ good vibrations happenin’…

Revisionist popular culture theories (and we can’t get enough of those, can we?) have long suggested that Brian Wilson and the most lauded tandem talents in The Beatles spent the mid-1960s engaged in a transatlantic game of ‘follow that’ one-upmanship. The fabbest two of the Fab Four set the benchmark with Rubber Soul and Revolver, prompting the stay-at-home non‑surfer to respond with Pet Sounds, which in turn inspired the English oiks to delve deeper into the toy box for Sgt Pepper.

Yet surely the most pressing concern was not looking over one’s shoulder to check out what your rivals were up to – it was more about contemplating one’s own navel and figuring out how to follow your own most recent leap and bound. Who cares if the competition raises the stakes if you aren’t holding the cards to trump your own last winning hand?

That’s the fanciful and perhaps flimsy conceit behind this compilation, bringing together 12 months of music the Beach Boys made after the last note of Pet Sounds left the stylus (Caroline Mo’, if you will). The PR bumph boasting of this collection’s numerous previously unheard tracks is a bit misleading, in that the bulk of them are merely fresh stereo mixes of songs from the Smiley Smile and Wild Honey albums.

It’s all lovely stuff and exquisitely performed, of course, rarely more so than the yearning version of Stevie Wonder’s I Was Made To Love Her and the faux soul of Darlin’, but to big it up as the next chapter after Pet Sounds serves only to burden some perfectly serviceable pop music with a benchmark it really shouldn’t be trying to reach. Don’t forget that Pet Sounds took several years to be recognised as a landmark – at the time of its release, hardly anyone spoke of rock music as something worthy of a legacy, so we really should cut these dudes some slack.

Summer dictates that Beach Boys product of some stripe is front and centre every year. This collection falls between the stools of being too normal for the serious fan and too niche for the floating voter. Nevertheless, it’s a refreshing change from the bog-standard hits compendium that usually surfs into the shops when the sun comes out.

http://teamrock.com/review/2017-07-14/the-beach-boys-1967-sunshine-tomorrow-album-review-1
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« Reply #288 on: August 10, 2017, 05:56:37 AM »

A brief aside, if I may. KDS, assuming I've got the source right, this is Classic Rock's review of Sunshine Tomorrow: 

Gotta keep those lovin’ good vibrations happenin’…

Revisionist popular culture theories (and we can’t get enough of those, can we?) have long suggested that Brian Wilson and the most lauded tandem talents in The Beatles spent the mid-1960s engaged in a transatlantic game of ‘follow that’ one-upmanship. The fabbest two of the Fab Four set the benchmark with Rubber Soul and Revolver, prompting the stay-at-home non‑surfer to respond with Pet Sounds, which in turn inspired the English oiks to delve deeper into the toy box for Sgt Pepper.

Yet surely the most pressing concern was not looking over one’s shoulder to check out what your rivals were up to – it was more about contemplating one’s own navel and figuring out how to follow your own most recent leap and bound. Who cares if the competition raises the stakes if you aren’t holding the cards to trump your own last winning hand?

That’s the fanciful and perhaps flimsy conceit behind this compilation, bringing together 12 months of music the Beach Boys made after the last note of Pet Sounds left the stylus (Caroline Mo’, if you will). The PR bumph boasting of this collection’s numerous previously unheard tracks is a bit misleading, in that the bulk of them are merely fresh stereo mixes of songs from the Smiley Smile and Wild Honey albums.

It’s all lovely stuff and exquisitely performed, of course, rarely more so than the yearning version of Stevie Wonder’s I Was Made To Love Her and the faux soul of Darlin’, but to big it up as the next chapter after Pet Sounds serves only to burden some perfectly serviceable pop music with a benchmark it really shouldn’t be trying to reach. Don’t forget that Pet Sounds took several years to be recognised as a landmark – at the time of its release, hardly anyone spoke of rock music as something worthy of a legacy, so we really should cut these dudes some slack.

Summer dictates that Beach Boys product of some stripe is front and centre every year. This collection falls between the stools of being too normal for the serious fan and too niche for the floating voter. Nevertheless, it’s a refreshing change from the bog-standard hits compendium that usually surfs into the shops when the sun comes out.

http://teamrock.com/review/2017-07-14/the-beach-boys-1967-sunshine-tomorrow-album-review-1

Interesting take. 

I used to love getting my monthly copy of Classic Rock, but it seems like bands like The Beach Boys were often ignored (the 2012 reunion was only mentioned in a tiny review of TWGMTR), but it seems like they find new articles to write on Led Zeppelin every third or fourth issue (I'm a fan, but when a band only has a small output, the articles get very repetitive). 
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