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Author Topic: Remembering Sam C. Phillips  (Read 4504 times)
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« on: July 30, 2013, 01:13:29 PM »

Ten years ago today Sam Phillips died.

Here's something by Peter Guralnick:

It’s hard to believe Sam died ten years ago.

For me it’s even harder. Because I speak to him every day.

Well, not literally – not exactly. But I am so caught up in his story, in his voice, in his words that it is (they are) literally inescapable. Sometimes he praises me. More often he belittles me (“If you can’t figure this out on your own, then you are one sorry-ass motherfucker”). But mostly he just exhorts me to get on with the job.

I have been working on my biography for six or seven years now – but, really, I’ve got to say, I think I’ve been building up to it all my life. I first met Sam almost thirty-five years ago. He was fifty-six, and I thought that was really old. (Just to keep everything straight, I was thirty-five.) It was probably the most inspiring meeting of my life. Not only to meet the man behind so much of the music that had shaped my life (blues and rock ‘n’ roll – and, now I’ve got to admit, country, too). But to find him voicing opinions that were – well, inspiring, in the larger sense of the word. His invocations of individualism and democracy and freedom reached out to territory far beyond the bounds of commercial music. (Well, so did his music.) As he said, and as my book, Lost Highway, concludes: “I think that music is a part of a very spiritual aspect of people. I don’t say that there’s a thing wrong with [today’s music], but when you drive so much of the same thing and people get into too much of a pattern – listen, they’re talking about that you’ve got to have, well, what is the trend now? Well, Jesus God, now if there’s anything that we don’t need, it’s a trend.

“One of these days, though, I may not live to see it, maybe you all will, but one of these days that freedom is going to come back. Because, look, the expression of the people is almost, it’s so powerful, it’s almost like a hydrogen bomb. It’s going to get out. I’m not just saying go back to the fifties and this sort of thing. But if it could be worked – and it will be worked – to where just a few like Elvis could break out again, then I would preach, I would become an evangelist if I were alive, saying, ‘For God’s sake, don’t let’s become conformists – please. Just do your thing in your own way. Don’t ever let fame and fortune or recognition or anything interfere with what you feel is here – if you feel you are a creative individual. Then don’t let the companies get this going real good and buy up all the rights of the individual some way or the other. That’s not right. We’ll go back in another circle. Till it gets so damn boring your head is swimming. And I’ll tell you, I hope it’s not too long coming, because of the fact as we go longer and longer into the lack of individual expression, as we go along, if we get too far we’re going to get away from some of the real basic things. All of us damn cats that appreciate not the fifties necessarily but that freedom are gonna forget about the feel. We gonna be in jail, and not even know it.”

Well, all right. I’m still inspired. (And that’s just the condensed version.)

But I’ve got to tell you, after working on the book all this time, I’m no less convinced. Sam, as anyone who ever met him (or listened to him on stage, screen, or radio broadcast) knows, could be a little discursive. But he always had a point; in fact, it would be fairer to say, he always had a larger point. I spoke to him off and on for nearly 25 years, during the last fifteen of which he talked often about his book – well, for the last few years it was going to be our book, which I agreed to gladly – as soon as I was done with my Sam Cooke biography. (“When the hell are you going to finish that damn book?” Sam kept asking. I tried to enhance his appreciation of the other Sam by sending him a tape – mostly of gospel sides – but he was not to be bought off.)

Now to tell you the truth I didn’t think Sam was ever going to get around to his book – our book. Not because he didn’t want to – part of him certainly did, and a bigger part of him thought he did – but mainly because Sam, even in his late seventies, remained a forward-thinking, not a backward-looking) man. What I didn’t realize for the longest time, though, was that, whether by intent or not, Sam was actually writing it.

I’ve got hundreds (and hundreds) of pages of interview transcripts. The ostensible subject of most of the early interviews was Elvis Presley (this was when I was working on Last Train to Memphis primarily) – but Sam was never one to confine himself strictly to the subject at hand, and he introduced elements of his schooling, his upbringing, his perception of race as a child, the role that growing up on a farm at the Bend of the River outside of Florence, Alabama, just before the Great Depression hit, played on his life. But these were sandwiched in between his very sober (I’m talking her about mood) reflections upon the more familiar past, from Charlie Rich and Howlin’ Wolf to the course of Elvis’ early musical development and career.

It wasn’t until we did the documentary, Sam Phillips: The Man Who Invented Rock ‘n’ Roll, in 1999, though, that I realized what was really going on. My friend Morgan Neville, the director and co-producer of the show, knowing Sam’s penchant for prolixity (but not knowing Sam) devised a strategy that he thought might help cut down some on the cost of actual filming. What we could do, he suggested, was interview Sam in a series of pre-production meetings, on audiotape – that way Sam could get it all out of his system before we ever switched over to the far more costly videotape and film.

Well, we did interview Sam, on more than a dozen 90-minute audio tapes, and I watched the beginnings of despair (well, not despair exactly – but I think you get the picture) begin to dawn on Morgan’s face, as Sam talked, it seemed, about just about everything under the sun except those things which would necessarily be the principal subject of the documentary. He talked at length about Silas Payne, the black, blind ex-sharecropper who had exerted such an influence on his life. Also his deaf-mute Aunt Emma, who was the smartest person in the family, maybe in North Florence, and how, like Silas Payne, she had provided him with the truest of role models. He talked about his eighth (maybe ninth) grade teacher, Mrs. Mary Alice Lanier, who spanked the hell out of his hand with a ruler. He was a “mean little bastard” until then, he said (“I was just very, very convinced of things”), but that finally set him off on the right path. He talked (a lot) about going to the superintendent of schools, Mr. Powell, to get Sousaphones for the Coffee High School marching band (Sam was its first captain, as a high school Sophomore) and working with the dapper new band director, twenty-six-year-old Floyd McClure, who wore spats and a Homburg, drove a black 1937 Ford, had played tuba with the Tidy Hill Dance Band in Chicago, and had just as passionate a commitment to the band as Sam did.

It was fascinating. Even if all the while Morgan was tearing his hair out. And needless to say, Sam kept talking about all these things (and much, much more) once the cameras started rolling. He would get really caught up in trying to describe his interaction with Wolf, Elvis, Roy Orbison, Johnny Cash, Little Junior Parker – but he would get just as caught up in teaching us the Lesson of the Telephone that went off during a Jimmy DeBerry session – and the fact that you can still hear that telephone on the recording, because, Sam said, “You think I was going to take that telephone ring off the record? It was R-E-A-L, do you get me? Real.”

I miss Sam every day. Occasionally I dream about him. But, you know, I can visit with him any time I like. Which is most of the time. And if I run out of steam occasionally and don’t feel like visiting any more, for all of Sam’s vehement protests, I can always shut off the tape recorder, the computer – the whole process – if only for a little while, until I go back to work the next day.

I wrote this at the request of my friend Trevor Cajiao, and it first appeared in his magazine, Now Dig This, which bills itself without exaggeration as"100% Rock ‘N’ Roll." To find out more, check out www.nowdigthis.co.uk
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a diseased bunch of mo'fos if there ever was one… their beauty is so awesome that listening to them at their best is like being in some vast dream cathedral decorated with a thousand gleaming American pop culture icons.

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To sum it up, they blew it, they blew it consistently, they continue to blow it, it is tragic and this pathological problem caused The Beach Boys' greatest music to be so underrated by the general public.

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« Reply #1 on: July 30, 2013, 01:51:03 PM »



The man who inveted Rock'n'Roll Part 1:

http://www.youtube.com/watch?v=tYcadYXsTyM


The man who inveted Rock'n'Roll Part 2:

http://www.youtube.com/watch?v=Dan6idfM6sI






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a diseased bunch of mo'fos if there ever was one… their beauty is so awesome that listening to them at their best is like being in some vast dream cathedral decorated with a thousand gleaming American pop culture icons.

- Lester Bangs on The Beach Boys


PRO SHOT BEACH BOYS CONCERTS - LIST


To sum it up, they blew it, they blew it consistently, they continue to blow it, it is tragic and this pathological problem caused The Beach Boys' greatest music to be so underrated by the general public.

- Jack Rieley
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« Reply #2 on: July 31, 2013, 03:18:45 AM »

I hope you rest in peace (or alternatively are producing some fine acts in rock&roll heaven), Mr Phillips. You will always be one of the most important visionary figures in rock&roll history (in general 20th century music history, really).
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« Reply #3 on: August 02, 2013, 06:44:17 PM »

I met Sam on a trip to Memphis in 1980. He was a gentleman, gave me and my then wife about 15 minutes, even though we were just "fans" of his work, and I found him very canny about what he said and didn't say. He seemed to me to be a man who knew himself well, and was comfortable in his own skin. He knew what he had done was huge, didn't minimize it, but also credited the artists for their work as well.
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« Reply #4 on: August 02, 2013, 07:19:16 PM »

When you listen to the Sun Records catalog the amazing thing is how much of quality was recorded. I would put their output up against any label, and I'm not just talking about the hits. My Elvis book has a chapter on Sun and I hope it is always remembered.
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« Reply #5 on: August 03, 2013, 12:04:25 AM »

Sun Records will be remembered after all of us are dead and buried.
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« Reply #6 on: August 08, 2013, 09:39:59 AM »

Today Jack Clement died:

http://www.cmt.com/news/country-music/1712001/cowboy-jack-clement-a-nashville-music-legend-dies-at-age-82.jhtml



Rest In Peace
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a diseased bunch of mo'fos if there ever was one… their beauty is so awesome that listening to them at their best is like being in some vast dream cathedral decorated with a thousand gleaming American pop culture icons.

- Lester Bangs on The Beach Boys


PRO SHOT BEACH BOYS CONCERTS - LIST


To sum it up, they blew it, they blew it consistently, they continue to blow it, it is tragic and this pathological problem caused The Beach Boys' greatest music to be so underrated by the general public.

- Jack Rieley
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« Reply #7 on: August 08, 2013, 09:50:49 AM »

He was to Jerry Lee Lewis what Columbus was to (modern) America. Rest in peace.
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« Reply #8 on: October 19, 2013, 05:56:05 AM »

Just heard the news of Roland Janes passing away. R.I.P.

https://www.youtube.com/watch?v=TlZ8TexWYYs
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a diseased bunch of mo'fos if there ever was one… their beauty is so awesome that listening to them at their best is like being in some vast dream cathedral decorated with a thousand gleaming American pop culture icons.

- Lester Bangs on The Beach Boys


PRO SHOT BEACH BOYS CONCERTS - LIST


To sum it up, they blew it, they blew it consistently, they continue to blow it, it is tragic and this pathological problem caused The Beach Boys' greatest music to be so underrated by the general public.

- Jack Rieley
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« Reply #9 on: October 19, 2013, 01:10:35 PM »

I'd say there is a Whole Lotta Shakin' Goin' On ...RIP
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« Reply #10 on: October 23, 2013, 09:30:40 PM »

inspiring post Rocker.  Thanks.  Sam Philips and all of America's originals, the entrepreneurs, the free-thinkers, the rebels -- that's what it's all about.
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« Reply #11 on: October 24, 2013, 02:45:32 AM »

Very important figure in the history of Rock and Roll. R.I.P.
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« Reply #12 on: November 07, 2013, 10:27:55 AM »

Memphis Music Hall of Fame inducts Johnny Cash and Roland Janes (not James!) a.o.


http://www.usatoday.com/story/life/music/2013/11/05/memphis-music-hall-of-fame-inducts-13/3446895/
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a diseased bunch of mo'fos if there ever was one… their beauty is so awesome that listening to them at their best is like being in some vast dream cathedral decorated with a thousand gleaming American pop culture icons.

- Lester Bangs on The Beach Boys


PRO SHOT BEACH BOYS CONCERTS - LIST


To sum it up, they blew it, they blew it consistently, they continue to blow it, it is tragic and this pathological problem caused The Beach Boys' greatest music to be so underrated by the general public.

- Jack Rieley
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« Reply #13 on: November 22, 2013, 12:09:31 PM »

Interview with J. M. Eaton and Roland Janes [Part 1 of 3]

http://openvault.wgbh.org/catalog/d6c758-interview-with-j-m-eaton-and-roland-janes-part-1-of-3
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a diseased bunch of mo'fos if there ever was one… their beauty is so awesome that listening to them at their best is like being in some vast dream cathedral decorated with a thousand gleaming American pop culture icons.

- Lester Bangs on The Beach Boys


PRO SHOT BEACH BOYS CONCERTS - LIST


To sum it up, they blew it, they blew it consistently, they continue to blow it, it is tragic and this pathological problem caused The Beach Boys' greatest music to be so underrated by the general public.

- Jack Rieley
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« Reply #14 on: June 05, 2015, 03:22:03 PM »

"How One Man Discovered Howlin’ Wolf, Ike Turner, Johnny Cash, Jerry Lee Lewis, and Elvis Presley, and How His Tiny Label, Sun Records of Memphis, Revolutionized the World!
By Peter Guralnick (Hardcover Book, 2015)"


- See more at: http://www.hachettebookgroup.com/titles/peter-guralnick/sam-phillips-the-man-who-invented-rock-n-roll/9780316042741/#sthash.70MhttmL.dpuf
« Last Edit: June 05, 2015, 03:24:23 PM by Rocker » Logged

a diseased bunch of mo'fos if there ever was one… their beauty is so awesome that listening to them at their best is like being in some vast dream cathedral decorated with a thousand gleaming American pop culture icons.

- Lester Bangs on The Beach Boys


PRO SHOT BEACH BOYS CONCERTS - LIST


To sum it up, they blew it, they blew it consistently, they continue to blow it, it is tragic and this pathological problem caused The Beach Boys' greatest music to be so underrated by the general public.

- Jack Rieley
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« Reply #15 on: June 10, 2015, 11:26:18 AM »

"Music biographer Peter Guralnick might be best known for his bestselling, critically acclaimed two-volume biography of Elvis Presley—Careless Love and Last Train to Memphis. But this November, he’ll release the crown jewel of his oeuvre, a biography he’s essentially been working on for 25 years: Sam Phillips: The Man Who Invented Rock n’ Roll — How One Man Discovered Howlin’ Wolf, Ike Turner, Johnny Cash, Jerry Lee Lewis, and Elvis Presley, and How His Tiny Label, Sun Records of Memphis, Revolutionized the World! We have your exclusive first look at the cover below.

EW talked to Guralnick about Sam Phillips’s unmatched charisma, his lifelong mission to erase racial lines, and his three early heroes: A female whorehouse owner during the Depression, his brilliant, deaf Aunt Emma, and a blind, black sharecropper named Silas Payne who lived with Sam’s family. "



http://www.ew.com/article/2015/06/04/peter-guralnick-sam-phillips-biography
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a diseased bunch of mo'fos if there ever was one… their beauty is so awesome that listening to them at their best is like being in some vast dream cathedral decorated with a thousand gleaming American pop culture icons.

- Lester Bangs on The Beach Boys


PRO SHOT BEACH BOYS CONCERTS - LIST


To sum it up, they blew it, they blew it consistently, they continue to blow it, it is tragic and this pathological problem caused The Beach Boys' greatest music to be so underrated by the general public.

- Jack Rieley
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« Reply #16 on: June 27, 2015, 02:05:59 AM »

"Memphis Music Beat: Country Music Hall of Fame exhibit honors Sun founder Sam Phillips"

http://www.commercialappeal.com/go-memphis/music/memphis-music-beat/memphis-music-beat-country-music-hall-of-fame-exhibit-honors-sun-founder-sam-phillips_31587682
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a diseased bunch of mo'fos if there ever was one… their beauty is so awesome that listening to them at their best is like being in some vast dream cathedral decorated with a thousand gleaming American pop culture icons.

- Lester Bangs on The Beach Boys


PRO SHOT BEACH BOYS CONCERTS - LIST


To sum it up, they blew it, they blew it consistently, they continue to blow it, it is tragic and this pathological problem caused The Beach Boys' greatest music to be so underrated by the general public.

- Jack Rieley
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« Reply #17 on: June 27, 2015, 06:43:54 AM »

"Country Music Hall of Fame To Feature Sam Phillips Exhibit"



http://www.americansongwriter.com/2015/06/flyin-saucers-rock-roll-sam-phillips-exhibit-opens-august-28/





http://countrymusichalloffame.org/exhibits/exhibitdetail/flyin-saucers-rock-roll-the-cosmic-genius-of-sam-phillips#.VY6oTk4eKCN
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a diseased bunch of mo'fos if there ever was one… their beauty is so awesome that listening to them at their best is like being in some vast dream cathedral decorated with a thousand gleaming American pop culture icons.

- Lester Bangs on The Beach Boys


PRO SHOT BEACH BOYS CONCERTS - LIST


To sum it up, they blew it, they blew it consistently, they continue to blow it, it is tragic and this pathological problem caused The Beach Boys' greatest music to be so underrated by the general public.

- Jack Rieley
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« Reply #18 on: July 30, 2015, 08:57:59 AM »

Well, Sam passed away 13 years ago today. So, I thought I'd post something that I found on youtube.


https://www.youtube.com/watch?v=xraxncC6l2k

SUN RHYTHM SECTION - ON STAGE 1988

SUN RHYTHM SECTION

ON STAGE

SONNY BURGESS - VOCAL/GUITAR
MARCUS VAN STORY - VCLS/GTR/STR,BASS/
JERRY LEE SMITH - VCL/PIANO
PAUL BURLISON - LEAD GUITAR
STAN KESLER - EL.BASS
D.J.FONTANA - DRUMS


SIDE A - BAL TABARIN BROMLEY U.K. MAY 11 1989

MEMPHIS TENNESSEE - S.BURGESS
INTRODUCTION - S.BURGESS
LAWDY MISS CLAWDY - S.BURGESS
SHAKE RATTLE & ROLL - S.BURGESS
ROCK N ROLL RUBY - MARCUS VAN STORY
TALKING HARMONICA BLUES - M.V. STORY
LET IT ROLL - JERRY LEE SMITH


SIDE B - U.K. AND NORWAY 88 & 89

RED HEADED WOMAN - S.BURGESS
RED HOT - S.BURGESS
WE WANNA BOOGIE - S.BURGESS
I'M LEFT YOURE RIGHT SHE'S GONE - M.V. STORY
HOUND DOG - J.L.SMITH
CHANTILLY LACE - J.L.SMITH
TEAR IT UP - S.BURGESS
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a diseased bunch of mo'fos if there ever was one… their beauty is so awesome that listening to them at their best is like being in some vast dream cathedral decorated with a thousand gleaming American pop culture icons.

- Lester Bangs on The Beach Boys


PRO SHOT BEACH BOYS CONCERTS - LIST


To sum it up, they blew it, they blew it consistently, they continue to blow it, it is tragic and this pathological problem caused The Beach Boys' greatest music to be so underrated by the general public.

- Jack Rieley
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