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Smiley Smile Stuff / General On Topic Discussions / Re: Feel Flows box set
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on: April 02, 2021, 12:53:47 PM
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I think one point that Desper is making that is being glossed over is that record making in the 1960s-early ‘70s was not perceived how it is today. There was not a “record all the parts individually, and then later have a thing called a mixdown, then go back and tweak etc”. It was a process of getting the 1/4” mono or stereo master - that was the “performance” that was captured to tape.
And what is especially interesting about this very salient point is that 1970 and the surrounding years were themselves a bridge between the two major eras in recording. I consider the mono, stereo, three-track, and 4-track era to be of a piece -- despite the increased possibility of overdub, the principles of 3- and 4-track recording are essential live to mono, microphone based technique. The 16- and 24-track era are also of a piece after a certain time. I think automation is definitely the harbinger of the new era, as hard as it might be to pin down when the true "multitrack era" began. But 8-track era is sui generis. Too few tracks for an overdub festival, too many tracks entirely conceive of the recording as a strictly performance based medium. I think the early, pre-automation 16-track era inherited its initial mindset from 8-track mindset, and that's where we find ourselves for Sunflower and Surf's Up. And that's where we find ourselves as far as Donny's point goes. The mix is now way more important than it ever has been before -- certainly, just 3 years earlier there's was not much one had to do to mix at all -- since everything had been tracked together and monitored largely in mono while so doing. Now, you actually have to put work into a mix, and do some planning. I think it's at these moments where a lot of the value of art gets imparted into the art. At the human moments. Sometimes it doesn't even have to be good art, as such, but because the moment captured in time is so human, there is value there. I've always thought that Jackson Pollocks sell for so much at auction not so much because his painting is "good" but because he was able to imbed himself and his time in the canvas. I think this goes for a lot of abstract artists especially. But it needn't be limited to abstract artists -- part of the great thrill of seeing a painting in a museum is the ability to see the brushstrokes in 3D and know they were created by a human in some other time; in some other part of the world. If you're lucky, you can smell the art. There's a particular sculpture-type thing in MOMA that smells like an ashtray. That artist connected with me, somehow, by allowing me to smell the cigarettes they constantly smoked while making the art. It's about sharing a moment with a human, I think. So hearing the original mixes and masters are an added human connection -- Steve and Carl and whomever else was drafted into running a fader on the ol' Quad-8 injected their humanity in that move, recorded their existence, and passed it on to us. To not have those moments there in the music is unequivocally a loss, but I think that the identity of art includes loss as a sine qua non, indeed, essential player. It's the shade to the dark that gives us chiaroscuro. It makes art a conversation--a chronological experience--a lung inhaling and exhaling. And then of course, what is lost gets compensated for by equally human moves -- and again, it's a question of the individual appreciator's values, but there is no responsibility to privilege one set of human moves over another's. It's humans that do remixes, humans that do remasters, and at the end of the day, in our particular case of the Beach Boys, we know these people are good humans who authentically love the music -- which helps a lot. Great, great post - thx. anderswyller.com
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Smiley Smile Stuff / General On Topic Discussions / Re: Feel Flows box set
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on: November 12, 2020, 09:40:24 AM
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... for us who tend to drop by this thread some 5-50 times a day; we all have to take the responsibility to keep it alive – my take today; we will get a digital release before Christmas – a box set will materialize in 2021 – it is most unlikely the record company will be able to make a box set before Christmas – unless it’s already been in production – And for the company’s potential income – they know the box set will sell around 5000 whether Christmas or not - And in a way, since Surf’s Up was released in 1971 it doesn’t seem too far out to release a box set to commemorate the release of this equally great (my all time favourite) record - have faith! -- all the best from Oslo
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Smiley Smile Stuff / General On Topic Discussions / Re: Low Culture 12: The Beach Boys in the 70s
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on: July 23, 2020, 11:42:06 AM
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I don’t agree – I think this was a great, great article – actually summarizing my own feelings about the band at that time – giving credits to the guys as a band, and to the songs and albums in a way I would put it myself. Never mind the flaws or errors – not important – it’s the overall understanding of the BB and their importance through this period that matters. Thx for sharing.
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Non Smiley Smile Stuff / Smiley Smilers Who Make Music / New album - Skinny Songs
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on: March 19, 2020, 09:58:52 AM
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Hi Smilers - I've been around these shores for quite some time - a huge Brian and Dennis fan since 1976 – but also a singer/songwriter for some 30 years, releasing 9 albums over the years with my own stuff:) -- In 2018 I spent some time with Linett mastering my album that came out that year -- Now this year; a new album has just been released; Skinny Songs -- please listen!:) https://orcd.co/skinnysongsthx! anders anderswyller.com
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Smiley Smile Stuff / General On Topic Discussions / Re: Brian Wilson 2016 Tour Thread (Pet Sounds 50th Anniversary Tour)
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on: November 08, 2016, 01:08:32 AM
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Short report from Oslo show: Yeah, Brian fell off his chair for the encore – it looked dramatic – The Spektrum fell silent, 3000 people held their breath - Paul Mertens and three others got him back on his feet. This was just before going into GV. Brian asked if we wanted some Bad Vibrations!:), - well seated again he got into song as if nothing had happened. Highlights from the show; Wake the world/add som music. Wild honey/Sail on Sailor with Blondie in top form. 2,5 hours, with intermission. I was surprised how many leads Brian took throughout the show – almost all leads on PS. Great reviews in all news papers here.
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Smiley Smile Stuff / General On Topic Discussions / Re: Smile Sessions UK Sales
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on: November 12, 2011, 01:50:42 AM
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Haha - yes, why Norway - TSS debuted on #13 this week - above Pink Floyd which has always been huge here - the Beach Boys never really were. Until 2004 - BWPS sold amazingly 12 ooo copies here - so where did all the norwegians fans come from during the last 6-7years? - they surely weren't there when I grew up - digging the Beach Boys in this country has always been a lonely road travelling
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Smiley Smile Stuff / General On Topic Discussions / Re: Our collective wait for SMiLE
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on: August 30, 2011, 11:46:10 AM
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Since 1982, when meeting up at Lars' place here in Oslo, and his friend Tor had brought his small, delicate tape suitcase - wich contained, among various serious rarities, cassettes with loads of Smile stuff -- I was 17 and already deep into the Smile fandom - lit by reading about it in Leaf's BB and the California Myth - the greatest Smile moment so far: - running over to the local postoffice and picking up the first LP -boot edition of Smile shipped from a New York based record store in 1984 --- Smileomanic for at least 30 years ---
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