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680597 Posts in 27600 Topics by 4068 Members - Latest Member: Dae Lims March 28, 2024, 12:20:09 PM
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26  Smiley Smile Stuff / General On Topic Discussions / Is there an appreciation thread for The Beach Boys In Concert [1973] on: July 23, 2017, 07:13:28 AM
As a long time member of this board, I cannot recall seeing a dedicated thread discussing the 1973 In Concert album.  I grew up with this album as a kid, and it still holds up after all these [40+] years.  The band sounds loose and contemporary for the time, and the arrangements are great.  I would love to know more about this album from what shows were recorded during that tour, what were some of the tracks left off as well as any other interesting facts.  Is there an appreciation thread for this album that you can point me to?  Thanks!
27  Smiley Smile Stuff / General On Topic Discussions / Re: Can't Wait Too Long on Sunshine Tomorrow on: July 12, 2017, 09:26:04 PM
Those mixes also lack the I Believe In Miracles section (which may or may not be truly meant for CWTL) as well as a section that appears immediately after Miracles only in bootlegs, with a prominent rhythmic element and wordless "aaaahs" from the Boys. I was hoping that part was going to finally see legitimate release this time around.

As a huge fan of CWTL, I haven't heard any versions with I Believe In Miracles section - can you point me in the direction where I might find that?
28  Smiley Smile Stuff / General On Topic Discussions / Re: The Beach Boys Wild Honey(Sunshine Tomorrow) 2CD Set? on: July 03, 2017, 03:35:50 AM
Wow!  How is it that I never knew or for that matter heard the Faces take on Gettin' Hungry - that's some punchy stuff! Where did they release that?
29  Smiley Smile Stuff / General On Topic Discussions / Re: The Fleetwood Mac/BB connection on: June 15, 2017, 07:50:01 AM
Fantastic thread - love LB; his song All My Sorrows is completely Brian-influenced and would appear on any playlist called 'Sounds Like the Beach Boys'
30  Smiley Smile Stuff / General On Topic Discussions / Re: Releases New and old on: May 13, 2017, 03:49:36 AM
What about the early 70s Carnegie Hall concerts?  There was some discussion a few years back that they might get released but no news since.  I would love more live stuff from that era.
31  Smiley Smile Stuff / General On Topic Discussions / Re: How to make Sunflower, Surf's Up, C&TPST, Holland & In Concent more successful? on: February 01, 2017, 02:43:13 AM
thanks everyone for replying - some good ideas here, especially the Landlocked double album.  I'm always looking to make new playlists so I appreciate your suggestions.

32  Smiley Smile Stuff / General On Topic Discussions / How to make Sunflower, Surf's Up, C&TPST, Holland & In Concent more successful? on: January 30, 2017, 07:48:11 PM
Hi Everyone,

What if we could go back in time to change the song lineup for each of the albums above that would have made them more commercially successful at the time?  I've seen various suggestions for improving each album but I would like to consolidate them here in one thread.  I'm not sure what changes I would make to Sunflower, maybe add Fallin in Love, but for Surf's Up I would include WIBNTOLA for sure.  As for C&TPST and Holland, I'm sure improvements could have been made especially to the former that would have made the album better.  Finally, with alll this in mind, could there have been more songs from these 4 albums featured on In Concert [which I still really enjoy].  I appreciate your insights and look forward to your suggestions!

33  Smiley Smile Stuff / General On Topic Discussions / What songs from POB were performed live besides River Song? on: January 28, 2017, 08:03:35 AM
i'm rediscovering POB  and I'm so impressed by how it seems to just get better over time.  I know River Song was performed live, but what about the other songs, namely the title track which would have been incredible live.   It's rhythm would have been a great segue a classic BB tune - any ideas?
34  Smiley Smile Stuff / General On Topic Discussions / Re: Did Brian ever choose the wrong takes? on: December 12, 2016, 07:30:23 AM
I hadn't heard the longer alternate version of Meant for You before but I still prefer the released version.  Yes it's a tad short, but as the first cut on an album it's perfect - so simple and to the point.  It's also one of those songs where they make it sound so easy such a tease of a tune of less than a minute leaves you wanting more...
35  Smiley Smile Stuff / General On Topic Discussions / Re: Name One Song You'd Wish The BBs Should Have Covered on: December 12, 2016, 04:24:14 AM
Draggin the Line by Tommy James is a great tune - that would be tough for the Beach Boys to do that tune justice without making it too saccharine.  I always thought it would be a good tune for REM to cover.
36  Smiley Smile Stuff / General On Topic Discussions / Re: What's the most obscure BB song that could get prominent soundtrack placement? on: December 10, 2016, 06:18:34 PM
I was pleasantly surprised while watching a new HBO series, Divorce and Dennis Wilson's You and I played over the credits at the end of episode 8.  That series has a great soundtrack, good stuff from the 70s including Cold Morning Light by Todd R.
37  Smiley Smile Stuff / General On Topic Discussions / Let's complete the circle - release an un-Landy version of BRIAN WILSON on: November 19, 2015, 06:18:53 AM
My  wife and I just watched Love & Mercy last weekend and it's incredible.  Tonight I put on Brian's first solo album, and showed her it was produced by Landy - she'd never heard it before.  We put it on, and the songs are so great, it's just that the production is awful, so excessive 80's and with too much plastic synth and treble. 

So imagine that Brian goes back to the studio with the current band and they record and release an un-Landy version of BRIAN WILSON produced in the style of PET SOUNDS - wouldn't it be nice?
38  Smiley Smile Stuff / General On Topic Discussions / Re: SMiLE (May 1967 Mono Mix) on: November 10, 2015, 08:46:46 PM
Would love to hear this mix - all the links on Vimeo don't seem to work though.  Can you repost?  Thanks!
39  Smiley Smile Stuff / General On Topic Discussions / Re: SMiLE Boots - How did they evolve, and how many are there? on: February 17, 2014, 07:51:53 AM
Love this topic.  I remember hearing SMiLE for the first time and being blown away.  The first version I heard was the Vigotone release and then I enjoyed the conversation snippets from Heroes and Vibrations.  Over the years, I continued to collect different mixes.  I've always been a fan of Mok's SMiLE, the AlternateBrianWilsonPresentsSMiLE, JMZ SMiLE and the Odeon SMiLE.  I too thought the Beach Boys missed an opportunity when they released TSS.  As fan mixes kept the album alive through the years, I thought that they should have set up a website where fans could upload mixes or something like that. 

40  Smiley Smile Stuff / Concert Reviews / Re: Show 67: Conventional Hall - Hong Kong 8/25/12 on: August 28, 2012, 07:43:24 AM
Here's the correct setlist from www.setlist.fm - totally forgot they played Ballad of Ole Betsy......

Do It Again
Little Honda
Catch a Wave
Hawaii
Don't Back Down
Surfin' Safari
Surfer Girl
Wendy
Getcha Back
Then I Kissed Her
(The Crystals cover)
This Whole World
Isn't It Time
Kiss Me, Baby
Come Go with Me
(The Del-Vikings cover)
Why Do Fools Fall in Love
(Frankie Lymon & The Teenagers cover)
When I Grow Up (to Be a Man)
Cotton Fields
(Lead Belly cover)
Disney Girls
Good Timin'
It's OK
Darlin'
California Saga
Ballad of Ole' Betsy
Don't Worry Baby
Little Deuce Coupe
409
Shut Down
I Get Around


Pet Sounds
Add Some Music to Your Day
Heroes and Villains
I Just Wasn't Made for These Times
Sail on, Sailor
Sloop John B
Wouldn't It Be Nice
All This Is That
That's Why God Made the Radio
In My Room
God Only Knows
Good Vibrations
California Girls
All Summer Long
Help Me, Rhonda
Rock and Roll Music
(Chuck Berry cover)
Do You Wanna Dance?
(Bobby Freeman cover)
Surfin' USA
Encore:
Kokomo
Barbara Ann
(The Regents cover)
Fun, Fun, Fun
41  Smiley Smile Stuff / Concert Reviews / Re: Show 67: Conventional Hall - Hong Kong 8/25/12 on: August 27, 2012, 04:15:46 AM
Here's the setlist:

Do it again
Little Honda
Catch a wave
Hawaii
Don't Back Down
Surfin Safari
Surfer Girl
Wendy
This Whole World
Then I Kissed Her
Getcha Back
Isn't It Time
Come Go with Me
Why Do Fools Fall in Love
When I Grow Up (to Be a Man)
Disney Girls
Please Let Me Wonder
Good Timin'
It's Ok
Darlin'
Cotton Fields
Kiss Me, Baby
California Saga: California
Don't Worry Baby
Little Deuce Coupe
409
Shut Down
I Get Around

Pet Sounds
Add Some Music to Your Day
Heroes and Villains
I Just Wasn't Made for These Times
Sloop John B
Wouldn't It Be Nice
In My Room
All This Is That
That's Why God Made the Radio
Sail on, Sailor
God Only Knows
Good Vibrations
California Girls
All Summer Long
Help Me, Rhonda
Rock and Roll Music
(Chuck Berry cover)
Do You Wanna Dance?
(Bobby Freeman cover)
Surfin' USA
Encore:
Kokomo
Barbara Ann
(The Regents cover)
Fun, Fun, Fun

It was a great show - real happy to hear This Whole World, Disney Girls and California Saga live.  Darien sounded great on Darlin' and Add Some Music sounded real good too.  Real glad that I was there for this show!
42  Smiley Smile Stuff / Concert Reviews / Re: Show 67: Conventional Hall - Hong Kong 8/25/12 on: August 26, 2012, 09:33:15 AM
Great show!  Here's a review from the South China Morning Post:



Fun, fun, fun as Beach Boys turn back clock

Aug 26, 2012   
     

Beach Boys
Hong Kong Convention and



Exhibition Centre

Last night

The concert was scheduled to begin at 8pm, and with around 50 songs to get through, marking 50 years of the Beach Boys, it needed to start on time.

At 8.15pm a decision was taken that the latecomers had held things up long enough, and with the house lights still up the drummer started the intro to an appropriate opener, Do It Again.

The Beach Boys are still definitively the sound of summer.

The line-up which played the HKCEC last night includes all the surviving full members of the band from their 1960s heyday. Dennis and Carl Wilson died in 1983 and 1998 respectively.

Although not strictly chronological in presentation, the concert took in the best-known tunes from most eras of the band's career. It went from the early surf and hot rod anthems on to the more sophisticated music Brian Wilson later created in the studio, and which for years the band found it impossible to convincingly recreate on the road.

No longer. The combination of much advanced musical technology, and a band of highly competent back-up musicians, left the Beach Boys - with the exception of guitarist David Marks - with a light instrumental load to carry, and free to concentrate on the band's trademark close harmonies.

They had some help in that department too. All the players in the backing group also sing.

Several of them also feature in Brian Wilson's touring band, and give a contemporary feel to the vintage repertoire.

All their biggest hits - I Get Around, California Girls, Good Vibrations, God Only Knows, Heroes and Villains and many more were played, alongside some much less obvious material which helped to mitigate the impression they were going out as their own tribute band. They have a new album out, That's Why God Made The Radio, but dipped into it only sparingly, playing the title track, which is also the lead single, and Isn't It Time, the second single due for release shortly.

Each member got his moment in the spotlight as a lead singer - Bruce Johnston particularly effectively on his own Disney Girls - although Mike Love took the lion's share of the leads.

Darlin', originally sung by Carl Wilson, went to keyboard player Darian Sahanaja.

The "Boys" are now all in their late sixties or early seventies - except for Marks who is the baby of the band at 63 - and their harmonies are perhaps now wonderful for their age, rather than just plain wonderful.

But since all the supporting musicians also sing, even the most complex of their vocal arrangements can be convincingly recreated.

Nevertheless when Brian Wilson's voice was heard in isolation it sounded badly strained.

Having closed the set with Surfin' USA they came back for encores beginning with their last big hit single, Kokomo, from 1988, followed by an exuberant Barbara Ann, and finally Fun Fun Fun. On the whole it had been.

Robin Lynam
43  Smiley Smile Stuff / Concert Reviews / Re: Show 67: Conventional Hall - Hong Kong 8/25/12 on: August 22, 2012, 05:11:57 PM
I'll be there!  Will try to post a playlist soon after the show!
44  Smiley Smile Stuff / General On Topic Discussions / Re: Brian says Beach Boys reunion album sounds \ on: November 08, 2011, 05:28:07 AM
if they have to do a reunion album, i'd prefer something that sounds like friends........i don't want any surfing/girl/car songs sung by guys in their 70s...
45  Smiley Smile Stuff / General On Topic Discussions / Re: A Very Simple Question: What Is It About SMiLE? on: November 02, 2011, 04:08:59 AM
perhaps it's the combination of positive and negative spaces in the music.....again brian started the painting, but left enough of the canvas blank for us, the fans to fill in.  i know this wasn't his intention when he started SMiLE but that's the way it's turned out.....i also think there's something hypnotic about the music, especially heroes & villains that permeates the album....

i mention this in my article:


http://www.rocksbackpages.com/article.html?ArticleID=19084

46  Smiley Smile Stuff / General On Topic Discussions / Re: Official facebook page now with Bootleg Gallery! on: November 01, 2011, 05:30:24 PM
I think this contest is great!   It speaks to the genesis of SMiLE over the years and how the story of SMiLE was spread via bootlegs.  As we have discussed in another post, it would be cool if people could post their own mix and then have those mixes available for download for a nominal sum....
47  Smiley Smile Stuff / General On Topic Discussions / Re: My SMiLE essay on rocksbackpages.com [mentions smileysmile.net] on: October 29, 2011, 08:38:22 PM
thanks everyone for the compliments.....i had originally thought that capitol should have set up a fan mix contest, where fans could submit their mixes and eventually brian would choose his top 10 and then make them available for download....real interactive and a celebration of SMiLE......love your idea JMZ, even better!!  love that SMiLE mixes community....

48  Smiley Smile Stuff / General On Topic Discussions / Re: My SMiLE essay on rocksbackpages.com [mentions smileysmile.net] on: October 28, 2011, 10:33:59 AM
the mix in of little pad and diamond head is sublime.......
49  Smiley Smile Stuff / General On Topic Discussions / My SMiLE essay on rocksbackpages.com [mentions smileysmile.net] on: October 27, 2011, 06:48:13 AM
hi everyone,

i was fortunate to have my SMiLE essay put up on rocksbackpages.com.  the editors changed my title a bit, originally after the title, The SMiLE You Send Out Returns to You, i added a line, "Because it's unfinished SMiLE is the greatest album of all time"

i hope you enjoy it; there's some other great SMiLE and Beach Boys articles on the site too.  

here's the link:

http://www.rocksbackpages.com/index.html


The SMiLE You Send Out Returns to You: The Story of Brian Wilson's Great Lost Masterpiece

Tim Meade, Rock's Backpages, October 2011

WE ALL KNOW THE STORY of the Beach Boys' SMiLE. After Pet Sounds, Brian set out to make a "teenage symphony to God" that would be the assemblage of "feels", individual pieces of music that he would put together to create a "pocket symphony".

The first result of this song structure was 'Good Vibrations', which Brian worked on for over six months and reportedly cost $50,000. The song was a huge success, going to #1 in the U.S. and the UK, and is now listed alongside 'Satisfaction' and 'What's Going On' as one of the greatest singles of all time.

After 'Good Vibrations', Brian started work on SMiLE, recording the instrumental backing tracks with the Wrecking Crew in Los Angeles while the Beach Boys were on tour in London, being feted for the just-released Pet Sounds album and displaying their cool quotient in hanging out with the Beatles. Pet Sounds had been more critically acclaimed in the UK than in the U.S., and following the success of 'Good Vibrations', the Beach Boys were selected by the readers of the New Musical Express as the World's Outstanding Vocal Group for 1966, beating the Beatles.

Meanwhile back in LA, Brian, with the help of the songwriter Van Dyke Parks set out writing lyrics for an album that would top Pet Sounds in terms of song structure and range of musical styles. SMiLE was to be a musical journey across America, with historical references from Plymouth Rock to Hawaii incorporating the Beach Boys' well-known barbershop harmonies with elements of humour, baroque melody, and vocal experimentations; Brian called the music "psychedelicate". When the Beach Boys returned to LA to add their vocals to the instrumental backing tracks, there was excitement that Brian was taking pop music to an unprecedented level of sophistication and structure, that he would indeed top Pet Sounds and create a rock classic, combining the Beach Boys' harmonies with music that was psychedelic, hypnotic, avant-garde and unlike anything else out at the time.

Brian worked on SMiLE through the fall of 1966 and into early 1967. Derek Taylor, the former Beatles publicist who had now moved to LA and started working for the Beach Boys, led the press in drumming up publicity for SMiLE along the way anointing Brian to be a "musical genius". The anticipation for SMiLE was driven further by comments such as that from brother Dennis Wilson that SMiLE "in my opinion, ...will make Pet Sounds stink" Capitol records put out the famous trade announcement to record shops across the country, 'we're sure to sell a million units... in January' [January, 1967 was the original release date announced by Capitol] and album sleeves with iconic artwork from artist Frank Holmes were printed up all in anticipation of a musical kaleidoscope to top Pet Sounds. Yet the January deadline passed without SMiLE's release as Brian's initial excitement starting being tested by fear, the result of too many drugs, too much pressure and apprehension from people around him as to the commercial viability of the music.

Eventually Brian's increasing anxiety and self-doubt, as well as the sheer complexity of the combining the "feels" into a coherent two-sided LP, were too much and in May 1967 Derek Taylor announced that SMiLE was dead.

The following month, the Beatles released Sgt. Pepper's Lonely Hearts Club Band and Brian realised that he had been trumped; the Beatles had beaten him. The Beach Boys pulled out of the lineup for the Monterey Pop Festival – they were to headline on Saturday night – and Brian retreated from being the leader of the Beach Boys as the band began their plummet in popularity amidst the rise of the counter culture of the late '60s. From those beginnings, SMiLE became the "holy grail" of unreleased music, what Rolling Stone has called "the most famous unfinished album in rock n' roll history".

Brian and the band did complete and release some songs from SMiLE on their subsequent albums in the late '60s and early '70s, some with new arrangements and some with subtle touch ups from the original sessions. However, without SMiLE's release, the Brian and Beach Boys fell from the vanguard of pop music and eventually became what Beach Boy member Bruce Johnson called "surfing Doris Days" as they muddled into the '70s. The last complete SMiLE song to be posthumously released was the magnum opus 'Surf's Up', the song that Brian Wilson had written in the sandbox [during the SMiLE sessions, Brian installed a sandbox below his piano to inspire his songwriting]. Brian sang the song unaccompanied except for his piano playing on Leonard Bernstein's "Inside Pop: The Rock Revolution" television program on CBS Television in November 1966.

Brian was at the zenith of his creativity and confidence when he appeared on Bernstein's show. But by 1971 he had become fully consumed by mental illness, and so his brother Carl – who carried the integrity of the band through their most exciting period musically in the early '70s – completed Surf's Up, adding a magical coda 'The Child is the Father to the Man' which was another song leftover from SMiLE.

In the years since then, Brian Wilson has lived through and in spite of the worst limits and breadth of addictions from illegal narcotics to legal mood enhancers, as well as through epic bouts of depression and obesity. Yet somehow, while one of his brothers drowned and another succumbed to cancer, today Brian is not only alive but enjoying a robust career, having overcome his anxieties as a live performer – he'd quit touring in 1964 after having a nervous breakdown – and touring with a band that loves his music. In 2001, backed by the Wondermints, Brian started adding 'Heroes & Villains', the single that was to follow up 'Good Vibrations', and other SMiLE songs to his set lists. Thereafter he announced that he was going to complete SMiLE and play it during a series of live concerts.

In the fall of 2003, Brian invited his old writing partner Van Dyke Parks back to help complete lyrics to some of the songs and then worked with Darian Sahanaja of the Wondermints to put together a version of SMiLE to be performed live. (In a wonderful spin of irony, one of the reasons that Brian abandoned SMiLE back in 1967 was the impression from some people within the band that the music could not be performed live.)

Brian finally conquered his demons in February 2004, when he performed "Brian Wilson Presents SMiLE" at London's Royal Festival Hall. In the audience were some surviving members from the original SMiLE era, namely Van Dyke Parks, George Martin, as well as Paul McCartney who had reportedly crunched on a carrot during the original 1967 sessions for another SMiLE song, 'Vegetables'.

Following a series of well-received live concerts Brian and the band recorded his version of SMiLE, Brian Wilson Presents SMiLE [BWPS] which he released in September, 2004. The fact that he completed it at all was wondrous; the fact that it sounded as if it was recorded in 1967 and the vocals by the Wondermints approached the soaring harmonies of the original Beach Boys was a miracle. The album was universally critically acclaimed and it sold relatively well. Brian received a number of Grammy nominations and won one: Best Rock Instrumental Performance for 'Mrs. O'Leary's Cow', also known as 'Fire', the song that in SMiLE lore had spooked an increasingly fragile and paranoid Brian into believing he was responsible for a series of fires in the Los Angeles area in the spring of 1967.

Still, the release of BWPS only increased the demand by Beach Boys' fans for the release of the original sessions recorded in 1966-67 as some hardliners pontificated that BWPS was "Brian 's interpretation of SMiLE circa 2004" while others felt that no matter how good the Wondermints vocals were, they were still not the unique harmonies of the Beach Boys.

For years, SMiLE fans have gathered to express their hopes and dreams for SMiLE's release in various communities on the Internet. In fact, the upcoming release of The SMiLE Sessions could not have happened without the internet, where the legend of SMiLE has been not only been kept alive but elevated to mythical status among fans, some of whom have waited all 45 years for its release. There have been a plethora of Brian Wilson, Beach Boys, and exclusive SMiLE websites, from the Brian Wilson Appreciation site, to the SMiLE Shop (complete with graphics from the original Frank Holmes album artwork) to today's SMiLEySMiLE.net, yet they all share two things in common, a fiercely loyal and critical fan base who relish in debating, dissecting and discussing SMiLE down to the minutest of details and a heartfelt longing that the stunning and innovative music of SMiLE will officially be released.

The anticipation of the SMiLE community for the upcoming release of the SMiLE Sessions is unequivocal. I share their enthusiasm and I am most grateful that we fans will all be able to celebrate and share this release with Brian to show him that SMiLE was never "inappropriate", music as he once called it, but instead is the greatest album of all time.

According to Capitol/EMI's press release, The SMiLE Sessions has been done with the "full participation of the Beach Boys." Still, the official release of the SMiLE Sessions is creating lots of controversy on the websites; SMiLEySMiLE.net was recently hacked and shut down for nearly a week by someone calling himself "Bangaladeshi hacker". Another site, the Steve Hoffman's, is already on its 11th section of 50 pages since its announcement created the category "Brian Wilson's original SMiLE to be released on CD and Vinyl LP". These websites update daily with new topics and discussions, "How about that new version of 'Vegetables'?... Is the 'Heroes & Villains' single the infamous long version that Brian originally wanted to release in 1967?... What will be the next tune that will be posted on the SMiLE Facebook page?"

To me, though, the most fascinating discussion topic about the beautiful mystery of SMiLE, and the reason for its greatness, is the never-ending debate of what was to be the song order on the album. Which song was intended to open the album? What was to close the album? What songs were to constitute "The Elements"? Was 'Good Vibrations' definitely going to be on the album? This topic comes up time and time again, and I am astounded by how many fans, 45 years since Brian first started working on SMiLE, are so resolute in their interpretation of what he was thinking back in the halcyon days of late 1966 early 1967.

This controversy is now focused on Disc 1 of the Sessions, which is supposed to be a coherent presentation of SMiLE as it might have been had it been released as an album in 1967, put together by music producer and sound engineer Mark Linett (who has worked on a number of Beach Boys' catalog re-releases) and Beach Boys archivist Alan Boyd. While many fans cannot wait to have an as-complete-as-could-be-possible Beach Boys' SMiLE album, there are still those critical fans who claim that it will still be only a "fan mix" and not Brian's mix or the official Beach Boys mix – even though the Beach Boys participated and approved the collection.

And because it's a "fan's mix", it's still not official, it's still not SMiLE. However, the fact that SMiLE remains unfinished is the reason that SMiLE is the greatest album of all time, because it allows every one of us to make our own version of SMiLE, to define SMiLE based on our perspective and interpretation of its epic story. And now with the release of The SMiLE Sessions, the potential combination of songs and versions of SMiLE is even more limitless.

Anyone who knows the story of SMiLE has made his/her own personal mix. We have all tried to channel our inner Brian, sitting down with our CDs and a tape deck (or digital files and computer) and created our own version of SMiLE. Fan mixes been our sustenance while we have waited all these years for SMiLE's official release. Working like detectives through the annals of Domenic Priore's book LOOK! LISTEN! VIBRATE! SMILE! – the Genesis chapter of the SMiLE Story, without which there would be no upcoming SMiLE Sessions at all – we started by mixing some of the officially released songs with songs from the bootlegs that started appearing on vinyl LPs in the late 1980s and then boomed with the arrival of CDs and now digital downloads.

SMiLE fans have been obsessive in collecting and critiquing each new collection of bootlegged SMiLE material, such as the Vigotone SMiLE CD, the Secret SMiLE mix, the Sea of Tunes SMiLE, the derided SMiLE Millennium Edition, Purple Chick SMiLE and two of my favorites, Mok's SMiLE and Odeon SMiLE among many, many, many more.

After the release of BWPS, even more elaborate fan mixes appeared combining bits of the original sessions with the Beach Boys together with parts from BWPS. Some mixes have included studio chatter from the 'Our Prayer' sessions, such as when Brian asks "Are you feeling the acid yet?" while others mix in the comedy sessions Brian recorded with the Wrecking Crew, namely his argument with Hal Blaine about vegetables, featured in the multilayered aural carnival, the Alternate Brian Wilson Presents SMiLE.

Some mixes are choppy in audio quality, while others – namely the recent seamless and impeccable JMZ SMiLE, the best SMiLE mix in my opinion – are painstakingly perfect, put together by sound engineers who, like Brian in 1967, pursue perfection and try to top other previous versions of SMiLE that are available. Although Brian could not put the feels together into a coherent modular album back in 1967, since then his fans from all over the world have been inspired by his music to assemble, collect and trade their own versions of SMiLE cementing its status as "the greatest unreleased rock n' roll album of all time".

Now that Brian and the Beach Boys have agreed to release The SMiLE Sessions, even more people will be able to make their own version of the album. With five CDs [the aforementioned Disc 1 plus 4 CDs of sessions], two LPs, and two 7" singles, the masses have been given the means of production. The possibilities of even more different versions of the psychedelic splendor that is SMiLE are truly infinite. We fans can finally have all of this remarkable, mystifying, experimental but always inherently beautiful music finally in pristine audio quality and continue to make new versions and interpretations. Brian's genius as a composer is that SMiLE can fit together in so many different combinations. It's a puzzle with many solutions, each as worthy as the next. Brian recently told the Wall Street Journal that SMiLE was "ahead of its time"; indeed, by not completing SMiLE, Brian unknowingly created an interactive masterpiece, the only "classic album" that continues to thrive and evolve with each fan's interpretation.

Trying to create the perfect SMiLE mix is central to SMiLE's saga and that is why SMiLE is the greatest album of all time; SMiLE will never be finished, it will never be complete, it can never be perfect yet its potential for perfection is eternal.

While Sgt Peppers Lonely Hearts Club Band, Exile on Main Street, Blood On the Tracks and Station to Station – to name a few – all have a complete and defined musical story with a beginning, middle and end, SMiLE's story is forever unfinished, and the musical combinations of its elements are immeasurable. The classic albums named above belong to the Beatles, Stones, Dylan and Bowie, but SMiLE belongs to all of us, for us to interpret and to assemble Brian Wilson's feels in infinite breathtaking combinations.

*
Tim’s Top 5 SMiLE mixes

1)   JMZ’s SMiLE
2)   Alternate Brian Wilson Presents SMiLE
3)   Bossaroo’s SMiLE
4)   Mok’s SMiLE
5)   Odeon SMiLE

Tim Meade grew up in New Jersey and now lives in Hong Kong. This is his first submission to Rock's Backpages.
50  Smiley Smile Stuff / General On Topic Discussions / Re: I Think I've Hit Gold on: October 24, 2011, 05:49:45 AM
That JMZ SMiLE mix is top notch.  The consistency of the audio and sequencing put it in the higher echelon of SMiLE mixes....
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