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Author Topic: Beach Boys Survivor #35 Winner: From There To Back Again  (Read 107621 times)
Eric Aniversario
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Keep the Summer Alive!


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« Reply #300 on: May 25, 2014, 12:09:01 AM »

Strange world
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Nicko1234
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« Reply #301 on: May 25, 2014, 12:13:44 AM »

That`s Why God Made The Radio
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Disney Boy (1985)
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« Reply #302 on: May 25, 2014, 12:16:48 AM »

The title track.

There's a few nice things about it (the 'when I/antenna' line), but the unpleasant moments outweigh the good stuff: the horrible drum sound just before the final chorus, the awful bit at the start of the middle-eight when the guitar goes 'dowwwwww', Jeff's ghastly singing of the word 'God', or rather 'Gaaaahhhhhh-d'.
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« Reply #303 on: May 25, 2014, 12:17:27 AM »

Isn't It Time.

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mikeyj
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« Reply #304 on: May 25, 2014, 12:30:52 AM »

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Fall Breaks
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« Reply #305 on: May 25, 2014, 12:45:21 AM »

Title Track
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"I think people should write better melodies and sing a little sweeter, and knock off that stupid rap crap, y’know? Rap is really ridiculous" -- Brian Wilson, 2010
bluesno1fann
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« Reply #306 on: May 25, 2014, 01:13:42 AM »

The title track.

There's a few nice things about it (the 'when I/antenna' line), but the unpleasant moments outweigh the good stuff: the horrible drum sound just before the final chorus, the awful bit at the start of the middle-eight when the guitar goes 'dowwwwww', Jeff's ghastly singing of the word 'God', or rather 'Gaaaahhhhhh-d'.

I quite like this song, and I don't mind the drums and Jeff's singing. But the auto-tune is hard to take (if it really was used), and the line "Spreading the Love and Sunshine to a Whole New Generation! Whole New Generation!!!" is cheesier and more cringeworthy than any of Bruce Johnston's songs he wrote for the Beach Boys.
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Smilin Ed H
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« Reply #307 on: May 25, 2014, 01:33:08 AM »

Isn't It Time. AGAIN.
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Dudd
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« Reply #308 on: May 25, 2014, 03:01:30 AM »

That's Why God Made the Radio
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Quote from: Brian Wilson
It’s going to be the greatest tribute album ever made.
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« Reply #309 on: May 25, 2014, 05:43:09 AM »

Isn't it time.


The "Isn't it time we get ready and then,  isn't it time we go steady again"  line just kills it for me.
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Niko
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« Reply #310 on: May 25, 2014, 05:44:50 AM »

It's a strange world if no one else wants to vote out this song HAHA
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smilethebeachboysloveyou
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« Reply #311 on: May 25, 2014, 06:00:41 AM »

That's Why God Made the Radio.  It's a nice song but the least adventurous of the remaining tracks.
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shelter
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« Reply #312 on: May 25, 2014, 06:35:34 AM »

Isn't It Time.
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drbeachboy
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« Reply #313 on: May 25, 2014, 07:07:38 AM »

While I like all of the remaining tracks, I am going to have to go with

Summer's Gone
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The Brianista Prayer

Oh Brian
Thou Art In Hawthorne,
Harmonied Be Thy name
Your Kingdom Come,
Your Steak Well Done,
On Stage As It Is In Studio,
Give Us This Day, Our Shortenin' Bread
And Forgive Us Our Bootlegs,
As We Also Have Forgiven Our Wife And Managers,
And Lead Us Not Into Kokomo,
But Deliver Us From Mike Love.
Amen.  ---hypehat
bossaroo
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« Reply #314 on: May 25, 2014, 07:09:32 AM »

the title track is actually quite adventurous in terms of composition. changes key several times throughout the song, similar to something like Girls on the Beach or This Whole World. it's classic Wilson.

Isn't It Time on the other hand just repeats the same few chords over and over and over.....
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Ovi
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« Reply #315 on: May 25, 2014, 07:16:07 AM »

That's Why God Made The Radio
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MarcellaHasDirtyFeet
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« Reply #316 on: May 25, 2014, 08:07:06 AM »

TWGMTR
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Nicko1234
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« Reply #317 on: May 25, 2014, 08:25:36 AM »

the title track is actually quite adventurous in terms of composition. changes key several times throughout the song, similar to something like Girls on the Beach or This Whole World. it's classic Wilson.

Isn't It Time on the other hand just repeats the same few chords over and over and over.....

Shouldn`t that be, `classic Wilson, Thomas, Peterik and Millas`?  Wink
« Last Edit: May 25, 2014, 09:10:53 AM by Nicko1234 » Logged
Orange Crate Art
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« Reply #318 on: May 25, 2014, 08:29:15 AM »

Summer's Gone
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Hey did you hear that George fell into his French horn?
bossaroo
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« Reply #319 on: May 25, 2014, 09:33:42 AM »

the title track is actually quite adventurous in terms of composition. changes key several times throughout the song, similar to something like Girls on the Beach or This Whole World. it's classic Wilson.

Isn't It Time on the other hand just repeats the same few chords over and over and over.....

Shouldn`t that be, `classic Wilson, Thomas, Peterik and Millas`?  Wink

it was established here recently that Brian basically wrote the music and those other guys contributed lyrics. it's a great song with some not-as-great lyrics. pretty classic Wilson if you ask me.
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Nicko1234
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« Reply #320 on: May 25, 2014, 09:57:46 AM »


it was established here recently that Brian basically wrote the music and those other guys contributed lyrics. it's a great song with some not-as-great lyrics. pretty classic Wilson if you ask me.

I must have missed that. The last comments I read about it were still the:

`- Brian came up with the title over dinner with Millas, Peternik, Thomas and a DJ called Steve Dahl;When asked what he could hear (in his head) Brian described a '50s beat (like "Silhouettes on the Shade") with lots of modulations.

- Millas, Peternik, Thomas and Brian got together to work on it - Brian came up with the "Tune it in our latest star" bit. Millas and Peternik took it away and cooked up the demo, which JT said is quite different from the 2012 version to which Brian added parts and changed things around

- Brian always intended for it to be used on a BB album (apparently was one planned but didn't happen around this period '97/'98)`

It`s not in the same stratosphere as This Whole World anyway... Smiley

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« Reply #321 on: May 25, 2014, 10:13:29 AM »

Strange world..
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bossaroo
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« Reply #322 on: May 25, 2014, 10:34:31 AM »


it was established here recently that Brian basically wrote the music and those other guys contributed lyrics. it's a great song with some not-as-great lyrics. pretty classic Wilson if you ask me.

I must have missed that. The last comments I read about it were still the:

`- Brian came up with the title over dinner with Millas, Peternik, Thomas and a DJ called Steve Dahl;When asked what he could hear (in his head) Brian described a '50s beat (like "Silhouettes on the Shade") with lots of modulations.

- Millas, Peternik, Thomas and Brian got together to work on it - Brian came up with the "Tune it in our latest star" bit. Millas and Peternik took it away and cooked up the demo, which JT said is quite different from the 2012 version to which Brian added parts and changed things around

- Brian always intended for it to be used on a BB album (apparently was one planned but didn't happen around this period '97/'98)`

It`s not in the same stratosphere as This Whole World anyway... Smiley



regardless of lyrics or production, the changes are quite impressive and modulations seamless

here's the quote from Ray Lawlor:
Quote
To be honest I was not around during the recording of the Beach Boys album at all ; I remember Brian fooling with that song in 1998 at the Chicago house at the piano ; I certainly remember the title part, the hook, the tempo, the chord changes and him banging on the piano but that's all. And the next time I heard it was the finished track.  I don't think he wrote much , if any , of the lyrics.
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baseball95
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« Reply #323 on: May 25, 2014, 12:15:21 PM »

Strange world
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Shady
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« Reply #324 on: May 25, 2014, 02:36:59 PM »

That`s Why God Made The Radio
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According to someone who would know.

Seriously, there was a Beach Boys Love You condom?!  Amazing.
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