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Author Topic: Post 1965 BB music more popular today in the US then any other time?  (Read 7376 times)
Magic Transistor Radio
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« on: December 07, 2008, 08:31:43 PM »

I am 31 years old. When I introduce this era of BBs to people I notice that those who grew up in the 60s and were not big BBs fans, have already decided they will never like them  (I get alot of "I don't like bubblegum music"). People my age tend to respond to it more positively, although not the case ten years ago. Anyone else have that same experience? Now I am sure that in Europe, this era was fairly well known and excepted at the time anyway, but not the case in America.
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"Over the years, I've been accused of not supporting our new music from this era (67-73) and just wanting to play our hits. That's complete b.s......I was also, as the front man, the one promoting these songs onstage and have the scars to show for it."
Mike Love autobiography (pg 242-243)
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« Reply #1 on: December 07, 2008, 09:03:09 PM »

Nobody really likes them in the part of Europe I'm in, they go for more metal and technocratic guitar and overproduced, synthy sounding drums and, and, and....
. I will be very happy indeed if they are more popular in the US than in the old days. i don't know why that makes me happy. I guess I want people to share my love.
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Chris Brown
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« Reply #2 on: December 07, 2008, 09:50:42 PM »

I think that may very well be true.  Brian's artistic stature continues to grow as he ages, and Pet Sounds is being discovered by each new generation of musicians/music fans.
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MBE
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« Reply #3 on: December 07, 2008, 10:27:45 PM »

Well I am 32 and have like the Beach boys for 20 years. I never met anyone (at least anyone who is open to music from the sixties and seventies) who didn't like the Pet Sounds through Holland stuff that I played them. Except maybe Smiley.
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Rocky
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« Reply #4 on: December 07, 2008, 11:05:13 PM »

it can be very easy to turn people on to the BB because they are so eclectic, they tried out many different styles at different points. My experience has always been that i can make a BB appreciator out of just about anyone by selecting the right songs. My room mate loves jazz so i tried him on a helpingof pet sounds, but it didn't take at first. Then i found out he'd never heard rhapsody in blue so i made him listen to that and it blew his mind, then i made him a mix of the backing tracks from pet sounds and it clicked, he loves them now nearly as much as i do and he's constantly discovering the different stages of their sound.

personally i hope and pray that with the proper release of POB and Bambu (which my room mate loved even more than pet sounds) that their will be a dennis wilson awakening in the U.S. it's LONG overdue!   
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mikeyj
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« Reply #5 on: December 07, 2008, 11:38:04 PM »

I think that may very well be true.  Brian's artistic stature continues to grow as he ages, and Pet Sounds is being discovered by each new generation of musicians/music fans.

And I think the discovery of Pet Sounds (as opposed to the old days of Endless Summer etc.. being the "key" album) only leads people to search out the more obscure stuff
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« Reply #6 on: December 08, 2008, 12:34:48 AM »

Actually it was Sound of Summer that made me want to search out everything, and what a lovely surprise. There is something to be said for the early stuff, though, it has a certain inimicable vibe.
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« Reply #7 on: December 08, 2008, 01:41:52 AM »

Actually it was Sound of Summer that made me want to search out everything, and what a lovely surprise. There is something to be said for the early stuff, though, it has a certain inimicable vibe.

That's why I said "etc.." cause I just meant all of those compilations...but anyway, what's wrong with the early stuff?
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The Heartical Don
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« Reply #8 on: December 08, 2008, 01:44:15 AM »

Actually it was Sound of Summer that made me want to search out everything, and what a lovely surprise. There is something to be said for the early stuff, though, it has a certain inimicable vibe.

'...inimicable...'?

sorry, I am a terrible nerd, I know. But the early stuff is not my enemy...
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« Reply #9 on: December 08, 2008, 01:59:44 AM »

Quote
There is something to be said for the early stuff, though, it has a certain inimicable vibe.

ok so i don't agree with that description at all, but mikey gets vocab props for the day...nice adjective
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« Reply #10 on: December 08, 2008, 04:14:52 AM »

The early stuff is great.The early albums don't have the same shock value for people who aren't aware of the Beach Boys catalog, but that doesn't mean there isn't a lot of depth.
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« Reply #11 on: December 08, 2008, 04:23:08 AM »

Actually it was Sound of Summer that made me want to search out everything, and what a lovely surprise. There is something to be said for the early stuff, though, it has a certain inimicable vibe.

'...inimicable...'?

sorry, I am a terrible nerd, I know. But the early stuff is not my enemy...
Did I use the wrong word, or is it just pretentious? I almost typed something else, but it definitely wasn't a word. Oh well.

Maybe unique would do better. At any rate, songs like "I Get Around, Fun, fun fun, and especially In My Room really got me curious. They are scrumptious.
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« Reply #12 on: December 08, 2008, 06:37:44 AM »

What's with Smiley Smile getting so much credit these days?

It's like the 'cool' beach boys album,
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« Reply #13 on: December 08, 2008, 07:05:47 AM »

What's with Smiley Smile getting so much credit these days?

It's like the 'cool' beach boys album,

Well, even though Brian really wasn't trying anymore with Smiley Smile, he accidentally ended up being revolutionary. Smiley was (purposely) lo-fi decades before the term came into vogue. Smiley is just a wonderfully weird album. I'll bet that pretty soon we'll start seeing more and more musicians singing the praises of Smiley and maybe even Wild Honey and/or Friends along with the already existing worshiping of Pet Sounds and SMiLE.
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« Reply #14 on: December 08, 2008, 07:40:07 AM »

You're right there, Alex, these albums are great.
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« Reply #15 on: December 08, 2008, 12:06:15 PM »

I think that may very well be true.  Brian's artistic stature continues to grow as he ages, and Pet Sounds is being discovered by each new generation of musicians/music fans.

And I think the discovery of Pet Sounds (as opposed to the old days of Endless Summer etc.. being the "key" album) only leads people to search out the more obscure stuff

Absolutely...Pet Sounds was my jumping off point, leading me to Smile and beyond.  It made me curious to find out how they got there and where they subsequently went.  I'm sure I'm not the only one who has taken that path.

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Sheriff John Stone
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« Reply #16 on: December 08, 2008, 03:00:27 PM »

Actually it was Sound of Summer that made me want to search out everything, and what a lovely surprise.

Yeah, I think think Sounds Of Summer helped tremendously. It includes:

- Getcha Back
- Come Go With Mer
- Rock And Roll Music
- Heroes And Villains
- Good Timin'
- Kokomo
- Do It Again
- Wild Honey
- Darlin'
- I Can Hear Music

That's a lot of post-1965 material for a "greatest hits" comp. If new fans get hooked on one or a few of those above songs, they're gonna gravitate toward those Smiley, Wild Honey, Friends, etc. CD's. Also, The Beach Boys (Mike & Bruce are still touring extensively, playing to a lot of people. I've noticed in their setlists that they are working more post-1965 stuff in.
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« Reply #17 on: December 08, 2008, 03:58:24 PM »

[quote author=Sheriff John Stone link=topic=6486.msg104478#msg104478 date=1228777227
 If new fans get hooked on one or a few of those above songs, they're gonna gravitate toward those Smiley, Wild Honey, Friends, etc. CD's. Also, The Beach Boys (Mike & Bruce are still touring extensively, playing to a lot of people. I've noticed in their setlists that they are working more post-1965 stuff in.
[/quote]

That's exactly how I got into it.  I'm 22 and have been aware of the music all my life but I bought Sounds of Summer after seeing VH1 rerun An American Family and was hooked on, especially on Wild Honey and Darlin.  Within two months I also got Pet Sounds, the Smiley Smile/Wild Honey 2-fer and the Carlin book and that was that.
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« Reply #18 on: December 09, 2008, 01:54:42 PM »

What's with Smiley Smile getting so much credit these days?

It's like the 'cool' beach boys album,

Well, even though Brian really wasn't trying anymore with Smiley Smile, he accidentally ended up being revolutionary. Smiley was (purposely) lo-fi decades before the term came into vogue. Smiley is just a wonderfully weird album. I'll bet that pretty soon we'll start seeing more and more musicians singing the praises of Smiley and maybe even Wild Honey and/or Friends along with the already existing worshiping of Pet Sounds and SMiLE.

I think Smiley through to Friends are already name dropped by tons of musicians. The Beta Band springs to mind - the guy sings a whole lyric about how he's listening to Wild Honey and he thinks it's pretty good but not as good as Pet Sounds, and that's something to do with it not being produced by Brian Wilson - it's a really funny line. I read something where Paul Weller was singing the praises of Friends, which seemed kind of odd to me considering he's the Modfather and all - I think it was in mojo. What's most amusing is that you frequently see music journalists describing albums as having a 'sunflower' or 'surf's up' vibe, as if merely describing bands as sounding like The Beach Boys is now too vague! More power to that I say. I want to see a band described as having a 'Hey Little Tomboy' vibe!
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« Reply #19 on: December 09, 2008, 02:02:21 PM »

I want to see a band described as having a 'Hey Little Tomboy' vibe!
R. Kelly?
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« Reply #20 on: December 09, 2008, 02:32:17 PM »

Absolutely true about the later BBs albums being in the standard musician lexicon...so much so that if musicians aren't aware of the stuff on those albums, they almost feel the need to apologize.  It could not be more different than when I was 14 and first started talking up the Beach Boys as artists.  You would get this kind of pitying stare.  It's a complete turnaround.

On the above note, I've always wondered if the line "I love a sunflower" on Tears For Fears' glorious single "Sowing The Seeds of Love" referred to the Beach Boys album.  Orzobal makes obscure references elsewhere (e.g. "kick out the Style, bring back the Jam") in the song, and otherwise, the lyric really doesn't make any sense.  Thoughts?
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« Reply #21 on: December 09, 2008, 04:05:58 PM »

Absolutely true about the later BBs albums being in the standard musician lexicon...so much so that if musicians aren't aware of the stuff on those albums, they almost feel the need to apologize.  It could not be more different than when I was 14 and first started talking up the Beach Boys as artists.  You would get this kind of pitying stare.  It's a complete turnaround.

On the above note, I've always wondered if the line "I love a sunflower" on Tears For Fears' glorious single "Sowing The Seeds of Love" referred to the Beach Boys album.  Orzobal makes obscure references elsewhere (e.g. "kick out the Style, bring back the Jam") in the song, and otherwise, the lyric really doesn't make any sense.  Thoughts?

Didn't Tears for Fears do a song called Brian Wilson Said?
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« Reply #22 on: December 09, 2008, 05:29:10 PM »

Indeed they did.
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« Reply #23 on: December 09, 2008, 11:26:51 PM »

What's most amusing is that you frequently see music journalists describing albums as having a 'sunflower' or 'surf's up' vibe, as if merely describing bands as sounding like The Beach Boys is now too vague!

Frequently? I've never seen anything like this.
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« Reply #24 on: December 09, 2008, 11:29:20 PM »

I want to see a band described as having a 'Hey Little Tomboy' vibe!
R. Kelly?
LOL LOL (They should have a smiley for slightly uncomfortable laughter)

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