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Author Topic: Mixing/edit differences of songs between the mono + stereo versions?  (Read 2272 times)
CenturyDeprived
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« on: November 19, 2012, 02:30:30 PM »

Apologies if this has been covered before, but is there anywhere where a list is compiled of songs with notable mixing/edit differences between the mono + stereo versions on the new remasters?

I happened to notice the very ending coda of "Don't Back Down" was noticeably different between mono/stereo, wondering if there are any other songs like this (of course, this would certainly include tracks which are missing parts on stereo versions due to lack of discrete tracks), but I'm more interested in differences that appear to be due to presumably intentional choices back in the '60s (like "Don't Back Down" for example)...

It seems "In the Back of My Mind" would also qualify as a contender, though this may be due to new intentional "improvements" made by Mark Linnett to the stereo version, which admittedly does make for an alternative interesting/revealing listening experience.
« Last Edit: November 19, 2012, 02:32:25 PM by CenturyDeprived » Logged
Freddie French-Pounce
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« Reply #1 on: November 19, 2012, 02:32:02 PM »

There's the Double tracked vocals in 'Drive-In' in stereo, but Single tracked on the mono (A Big butter popcorn.. section etc)
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Check out the Mono/Stereo Mix Breakdown podcast Mixology here: https://mixology.podbean.com/
EgoHanger1966
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« Reply #2 on: November 19, 2012, 02:38:14 PM »

Many of the Chuck Britz-era mono mixes have longer or slightly different fades than the stereo counterparts. Not much earth shattering, but always cool to hear a few extra seconds that can't be found on another mix!
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branaa09
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« Reply #3 on: November 19, 2012, 03:38:02 PM »

Chuck didn't mix the Mono Mixes just the Stereo Mixes.

Brian Mixed the Mono Mixes didn't he?
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Micha
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« Reply #4 on: November 19, 2012, 11:57:18 PM »

Chuck didn't mix the Mono Mixes just the Stereo Mixes.

Brian Mixed the Mono Mixes didn't he?

I think so, but EgoHanger didn't claim Britz did the mono mixes - he referred to the "Chuck Britz era" during which Britz did the stereo mixes. An especially badly done Chuck Britz era stereo fade is "Fun, Fun, Fun".
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CenturyDeprived
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« Reply #5 on: November 21, 2012, 11:30:17 AM »

Just noticed a very different ending between versions of The Surfer Moon: mono version adds another repetition of Brian's coda vocal before the ascending change. This may be common knowledge to some, but differences of this magnitude are pretty cool to pick out and compile in a list...
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branaa09
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« Reply #6 on: November 21, 2012, 04:06:27 PM »

Fun,Fun,Fun in Stereo is a Mess, especially that Overdubbed Drum Fill before the fade out!  Angry The Mono Mix just fits together and sounds a hundred times better. I love Brian's Falsetto repeats!
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