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Author Topic: Brian's minor-key songs  (Read 11768 times)
Amy B.
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« on: September 08, 2012, 01:47:12 PM »

The radio show Studio 360 just had a piece on why pop songs seem different (less poppy) these days-- more of them are written in a minor key. Did Brian write a lot of songs in a minor key?

http://www.studio360.org/2012/sep/07/why-pop-music-so-sad/
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EgoHanger1966
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« Reply #1 on: September 08, 2012, 02:06:52 PM »

The majority of Brian's songs are in major.

"Yeah. I like major chords. Each key is a different color. My favorites are D, B, F and F#. A is a good key, too, sometimes. A has a strong vibe, a very powerful vibe." - BW

Hard to think of some off the top of my head, but "Cry" is in a minor key.
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Reddiwhip
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« Reply #2 on: September 08, 2012, 02:51:32 PM »

Surf's Up is in a mostly minor key.
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runnersdialzero
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« Reply #3 on: September 08, 2012, 03:19:19 PM »

Thread 7778.

...

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seltaeb1012002
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« Reply #4 on: September 08, 2012, 05:33:20 PM »

Good question.

Sweet Mountain (verses)
Country Air (intro, ends of choruses)
Good Vibrations (verses)
Our Prayer
Child Is Father Of The Man (most of it)
Heroes And Villains (bicycle rider section)
Night Bloomin' Jasmine (aside from the boogie woogie section)

That's all I can think of at the moment, but they all flip between minor and major. Honorable mention to We Three Kings, altho BW didn't write it.

Hmm, has he ever written a song only based around a minor key?

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EgoHanger1966
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« Reply #5 on: September 08, 2012, 05:38:25 PM »

My Solution?
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« Reply #6 on: September 08, 2012, 06:01:37 PM »

Johnny Carson
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Shane
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« Reply #7 on: September 09, 2012, 12:08:33 AM »

My Diane is a definite contender.


Actually, I did a quick youtube search to hear it just now, and I found a demo version I don't believe I've heard before.  I like it.


http://www.youtube.com/watch?v=nN7WFwRFid0
« Last Edit: September 09, 2012, 12:10:33 AM by Shane » Logged
Yorick
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« Reply #8 on: September 09, 2012, 02:52:31 AM »

As far as I'm concerned, My Diane is in the key of E with chords C#m (VI), A (IV), E (I) , G#m (III), F#m (II) etc etc.
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Wah Wah Wah Ooooo
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« Reply #9 on: September 09, 2012, 05:08:09 AM »

Summer's Gone....maybe...sounds like it, but I can't look at the chords right now.
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Chris Brown
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« Reply #10 on: September 09, 2012, 09:07:35 AM »

Summer's Gone....maybe...sounds like it, but I can't look at the chords right now.

Nope, Summer's Gone is a major-key (off the top of my head, I believe F#), just a lot of sixths and sevenths that are probably throwing you off.
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Wah Wah Wah Ooooo
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« Reply #11 on: September 09, 2012, 12:05:56 PM »

Summer's Gone....maybe...sounds like it, but I can't look at the chords right now.

Nope, Summer's Gone is a major-key (off the top of my head, I believe F#), just a lot of sixths and sevenths that are probably throwing you off.

You're right...after hearing it in my head all day
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Gertie J.
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« Reply #12 on: September 09, 2012, 01:02:01 PM »

She knows me too well
Little bird, verses. I LOVE this Dennis song!!! Bet you too!
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Mike Lovechild
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« Reply #13 on: September 10, 2012, 06:55:40 AM »

The verses of Good Vibrations of course (Eb min)!
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« Reply #14 on: September 10, 2012, 07:05:54 AM »

Today's music, when it's about dance grooves, R&B type music like Beyonce etc, it's mostly in minor.

Believe it or not, but Caroline, No is the first minor key song Brian put on record.
Here Today, Good Vibrations and Wind Chimes start also in minor key.
Of all songs, it's only 1% minor key?
« Last Edit: September 10, 2012, 07:11:16 AM by Jaco » Logged
Reddiwhip
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« Reply #15 on: September 10, 2012, 07:18:00 AM »

Today's music, when it's about dance grooves, R&B type music like Beyonce etc, it's mostly in minor.

Believe it or not, but Caroline, No is the first minor key song Brian put on record.
Here Today, Good Vibrations and Wind Chimes start also in minor key.
Of all songs, it's only 1% minor key?

Well, Let Him Run Wild has quite a bit of minor chords in the verse
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Mike Lovechild
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« Reply #16 on: September 10, 2012, 07:23:16 AM »

Today's music, when it's about dance grooves, R&B type music like Beyonce etc, it's mostly in minor.

Believe it or not, but Caroline, No is the first minor key song Brian put on record.
Here Today, Good Vibrations and Wind Chimes start also in minor key.
Of all songs, it's only 1% minor key?

Caroline, No isn't in a minor key though.
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Jaco
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« Reply #17 on: September 10, 2012, 07:37:05 AM »

Could be you're right. mostly the last chord of the song is what counts, and the song fades, so it's difficult to pick one.
I would say it's Pryhgian & Lydian

in original key Em(Phrygian)->F6(Lydian)
Em(Phrygian)->F6(Lydian), etc but then at the end below "Oh Caroline, No", it's Cmajor  Fmaj7 indeed

The last chords of Here Today, Good Vibrations and Let Him Run Wild are also major.

Brian developed a style where you couldn't clearly hear what whas the root chord. You can choose different last chords for God Only Knows.
« Last Edit: September 10, 2012, 08:05:20 AM by Jaco » Logged
Mike Lovechild
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« Reply #18 on: September 10, 2012, 07:51:12 AM »

It's definitely 'modal' as they say.

The opening chord of Caroline, No is a pretty good root for the key of the song. But I've seen it written as Em7 / G and G6 which are both obviously the same chord. As always with Brian, it's all about the bass notes.

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SunBurn
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« Reply #19 on: September 10, 2012, 09:47:50 AM »

One of the great things about Brian's songs is how much they explore harmonic and melodic possibilities while still usually staying anchored in a major key. A musician I know once remarked that it's very easy to write a cool sounding song in a minor key but a far greater challenge to write a cool sounding song in a major key. "Here Today" opens up with and spends a good bit of time around the second chord in the key, which is minor. But if you play out the notes of the melody, you'll notice that it stays in the key of A major throughout, and I would say that the entire song is also in A major, even though all those minor chords in the verse might trick your ear into thinking otherwise.

Of course, starting out in minor keys and ending up in major happens in a lot of great BW songs, as others have mentioned. "Good Vibrations" is probably the best known example. All of the songs mentioned in this thread that I am familiar with end up in major. I thought maybe "Fall Breaks and Back to Winter" ended in minor, but a close listening reveals that just before it fades out completely, it's back to major.
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Aegir
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« Reply #20 on: September 10, 2012, 11:45:07 AM »

Country Air is definitely my favorite of the ones listed here in terms of how is goes from minor to major and back again.
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SunBurn
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« Reply #21 on: September 10, 2012, 02:23:11 PM »

Country Air is definitely my favorite of the ones listed here in terms of how is goes from minor to major and back again.
A ha! That one actually ends in minor. Very rare for a BW song, so far as I can tell.
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bossaroo
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« Reply #22 on: September 10, 2012, 04:04:33 PM »

some cool minor stuff on the Friends album:

the instrumental bit in "Wake the World"

and both "Passing By" and "Busy Doin Nothin" introduce a minor feel toward the end of the song.
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Ron
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« Reply #23 on: September 11, 2012, 12:40:03 AM »

I'm trying to think through Brian's last few albums, and I can't think of any minor songs off the top of my head.  That is kind of strange compared to most modern music.  Even stuff like "This isn't Love" I don't believe is in minor... 

How about Brian's version of "Joy to the World" ?   

I took a music theory class once, it was awesome, it was in the round and the prof. had a grand piano in the middle.  So he'd play us pieces all the time.  He played the intro to Beethoven's 5th in Major, and Minor to illustrate the difference.  That was pretty intense. 
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« Reply #24 on: September 11, 2012, 05:45:28 AM »

Could be you're right. mostly the last chord of the song is what counts, and the song fades, so it's difficult to pick one.
I would say it's Pryhgian & Lydian

in original key Em(Phrygian)->F6(Lydian)
Em(Phrygian)->F6(Lydian), etc but then at the end below "Oh Caroline, No", it's Cmajor  Fmaj7 indeed

The last chords of Here Today, Good Vibrations and Let Him Run Wild are also major.

Brian developed a style where you couldn't clearly hear what whas the root chord. You can choose different last chords for God Only Knows.

I always want to think of God Only Knows as being in D, because the D major chord is used so much in it with different bass notes, but it doesn't work because there's also such a prominent use of D# in that opening French horn phrase that becomes Brian's countermelody at the end.  And I think the only time there's ever a straight D major chord is when the vocal bridge begins after the instrumental break.
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